Database / Artworks
Artworks

A Weaving
James Bassler
Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts · 2012
Art Institute of Chicago

Text-HM
Wojciech Jaskólka
Linen, nylon, paper, plain weave with discontinuous wefts and areas of slit tapestry weave; copper discontinuous supplementary warps in plain gauze interlacings · 1995
Art Institute of Chicago

Untitled Hanging
Dorothy Hughes
Linen, wool and nylon, strips of plain weave and strips of slit tapestry weave · 1981
Art Institute of Chicago

Serenity
Ayako Murao
Cotton, wool and silk, slit tapestry weave · 1973
Art Institute of Chicago

Untitled
Roberto Burle Marx
Wool and cotton; slit tapestry weave · 1971
Art Institute of Chicago

Untitled
Roberto Burle Marx
Wool and cotton; slit tapestry weave · 1971
Art Institute of Chicago

Brun Rouge
Magdalena Abakanowicz
Sisal, hemp, and horsehair, slit tapestry weave with raised coils of supplementary wefts; attached strips of weft-faced plain weave and lengths of horsehair · 1970
Art Institute of Chicago

Hindu Kush
Jan Yoors
Wool and cotton, slit tapestry weave · 1969
Art Institute of Chicago

Fisherman's Knot (Hanging)
Cynthia Schira
Wool and linen, slit tapestry weave; open areas of spaced paired warps interworked by simple knots in weft; plain weave of discontinuous warps · 1968
Art Institute of Chicago

Underwater Wind
Lenore Tawney
Linen, silk and wood, slit tapestry weave with wrapped, cut fringe; embellished with feathers; silk and linen knotted fringes · 1965
Art Institute of Chicago

Tapestry
Martta Taipale
Linen, wool, silk, rayon, cotton, metal-foil laminated in cellulose acetate film-wrapped cotton and rayon, metal-foil laminated in cellulose acetate film, and metal-foil-wrapped cotton, slit tapestry weave · 1944
Art Institute of Chicago

Headband (Cinta)
Maya
Cotton and silk; twill and slit tapestry weave with inserts of eccentric wefts; in slit tapestry weave area grouped warps; applied silk fringe · 1930
Art Institute of Chicago

Headband (Cinta)
Maya
Cotton and wool, plain and twill slit tapestry weave with eccentric wefts; cotton, tassels and fringe · 1930
Art Institute of Chicago

Arkilla Kerka (Wedding Hanging)
Fulani
Bands of cotton and wool, weft-faced, warp-ribbed plain weave, plain weave with paired warp, plain weave with supplementary brocading wefts, plain weave with supplementary patterning wefts and bands of slit tapestry weave · 1925
Art Institute of Chicago

Headband (Cinta)
Maya
Cotton, plain and twill slit tapestry weave with eccentric wefts; silk tassels with metal wire wrapped cotton loops · 1900
Art Institute of Chicago

Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper strips, slit tapestry weave; edged with gilt-metal-strip-wrapped cotton, 2:1 twill oblique interlaced tape and bands of silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, supplementary facing wefts · 1890
Art Institute of Chicago

Woman's Gua (Formal Domestic Surcoat)
Manchu
Silk, slit tapestry weave; painted details; silk knot closure; body lined with fur; sleeves lined with silk, plain weave; metal buttons · 1890
Art Institute of Chicago

Man's Rank Badge
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; lined with silk, 3:1 twill weave self-patterned by areas of plain interlacing · 1880
Art Institute of Chicago

Panel (Furnishing Fabric)
Manchu
Center: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted
Side, top, and bottom tapes: silk, plain weave; outer edge tape: silk; top panel: silk, 1:1 simple gauze weave; embroidered with silk in stem stitches; edged with cotton; glazed; lined with cotton, plain weave · 1875
Art Institute of Chicago

Sling (Waraka)
Quechua
Wool, slit tapestry weave; plaited cords; tassels · 1875
Art Institute of Chicago

Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; trimmed with braid of gilt-metal-strip-wrapped silk, 2:2 twill oblique interlacing; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; body lined with silk, 4:1 satin damask weave; sleeves lined with silk, warp-float faced 7:1 satin weave · 1870
Art Institute of Chicago

Chief Blanket (Third Phase)
Navajo (Diné)
Wool, single interlocking and slit tapestry weaves with "lazy lines"; twined warp ends and selvages · 1870
Art Institute of Chicago

Man's Rank Badge
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave; painted (kossu) · 1860
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leafed-paper-strip-wrapped silk, slit tapestry weave; embroidered in padded satin and stem stitches; painted; edged with silk and gold-leaf-paper-strip-wrapped silk in warp-float faced satin weave with weft-float faced twill interlacings of secondary binding warps and supplementary patterning wefts; metal buttons · 1840
Art Institute of Chicago