Database / Artworks
Artworks
The Parting of the Ways
William Steig
Pen and black ink and brush and gray wash on white wove paper · 1988
Art Institute of Chicago
Some people can't take a joke
William Steig
Pen and black ink and brush and gray wash on ivory wove paper · 1986
Art Institute of Chicago
Bore and Victim
William Steig
Pen and black ink and brush and gray wash on ivory laid paper · 1975
Art Institute of Chicago
Such an Advanced Civilization Would Know Nothing About War
William Steig
Pen and black ink and brush and gray wash, heightened with white gouache, on ivory wove paper · 1961
Art Institute of Chicago
Untitled (Cop Ink Blot)
William Steig
Pen and black ink and brush and gray wash, heightened with white gouache, on ivory wove paper · 1960
Art Institute of Chicago
Portrait of Monroe Wheeler
Pavel Tchelitchew
Pen and black ink and brush and gray wash on cream wove paper · 1942
Art Institute of Chicago
Shelter Scene
Henry Moore
Colored crayons, with pen and black ink and brush and gray wash, over graphite, on ivory wove paper · 1941
Art Institute of Chicago
Porte de la Victoire
Eugene Berman
Pen and black ink and brush and gray wash on yellow laid paper, tipped onto ivory wove paper · 1937
Art Institute of Chicago
A Friend of Mine (recto); Head of a Man (verso)
George Grosz
Pen and black ink (recto), and pen and black ink and brush and gray wash (verso), on cream wove paper · 1915
Art Institute of Chicago
A Stop in the Park
Constantin
pen and black ink and brush and gray wash over graphite · 1802
Cleveland Museum of Art
A Stop in the Park
Constantin Guys, French
pen and black ink and brush and gray wash over graphite · 1802
Cleveland Museum of Art
At the Ball (recto)
Constantin Guys, French
pen and black ink and brush and gray wash · 1802
Cleveland Museum of Art
The Good Shepherd
Eichler, Gottfried, the younger
Pen and black ink and brush and gray wash · 1715
The Metropolitan Museum of Art
Fantastic Harbor Scene with Architecture and Figures
Isaac de Moucheron, Dutch
pen and black ink and brush and gray wash with traces of blue gouache, heightened with white gouache · 1713
Cleveland Museum of Art
Seascape
Claude Lorrain
Pen and black ink and brush and gray wash on tan laid paper, laid down on tan laid card · 1700
Art Institute of Chicago
Sacrifice of Jeptha's Daughter
François Boitard
Pen and black ink and brush and gray wash on cream laid paper, laid down on fabric, laid down on cream wove paper · 1680
Art Institute of Chicago
Diana of Ephesus as Allegory of Nature
Joseph Werner
Pen and black ink and brush and gray wash, white and blue gouache, on blue laid paper (discolored to light brown), mounted to laid card · 1675
Art Institute of Chicago
Diana of Ephesus as Allegory of Nature
Franz Ertinger after Joseph Werner
Pen and black ink and brush and gray wash, white and blue gouache, on blue laid paper (discolored to light brown), mounted to laid card · 1675
Art Institute of Chicago
Hercules and Antaeus Design for a Fountain
Martin Desjardins
Pen and black ink and brush and gray wash on cream wove paper, laid down on ivory laid paper · 1659
Art Institute of Chicago
Soldiers Refeshing Themselves
John Hamilton Mortimer
Pen and black ink and brush and gray wash on tan laid paper · 1635
Art Institute of Chicago
Copy
Wenceslaus Hollar
Pen and black ink and brush and gray wash, on ivory laid paper, laid down on card · 1627
Art Institute of Chicago
Battle of the Milvian Bridge
Johann Heintz
Pen and black ink and brush and gray wash, over red chalk and traces of graphite, on cream laid paper, laid down on tan wove paper (pieced) · 1612
Art Institute of Chicago
The Sacrifice of Pelias to Neptune
Agostino Carracci
Pen and black ink and brush and gray wash, heightened with white gouache, over black chalk, on blue laid paper, squared in black chalk · 1584
Art Institute of Chicago
The Meeting of Joachim and Anna
Wolf Traut
pen and black ink and brush and gray wash · 1510
Cleveland Museum of Art