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Artworks

20 records · etching in blue
The Razorback Bunch (Etching II)
The Razorback Bunch (Etching II)
Robert Rauschenberg
Photoetching in blue-gray from three plates on cream Japanese paper, laid down on white wove paper (chine collé) · 1980
Art Institute of Chicago
Glacial Decoy Series: Etching IV
Glacial Decoy Series: Etching IV
Robert Rauschenberg
Photoetching and etching in blue-black on white laid paper · 1979
Art Institute of Chicago
Gauloises Bleues (White)
Gauloises Bleues (White)
Robert Motherwell
Aquatint and etching in blue and dark blue on white wove paper · 1970
Art Institute of Chicago
A la pintura: White 10-13
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and burnt sienna on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and ochre on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
A la pintura: White 10-13
Robert Motherwell
Aquatint and soft ground etching in blue-green and buff on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and burnt sienna on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 1-2
A la pintura: White 1-2
Robert Motherwell
Lift-ground etching and aquatint, and line etching in blue, with letterpress in black and gray, on white wove paper · 1968
Art Institute of Chicago
Nightclouds and Reverie
Nightclouds and Reverie
Karl Schrag
Etching in blue on ivory wove paper · 1958
Art Institute of Chicago
Dance II/Diptych
Dance II/Diptych
Eldzier Cortor
Mezzotint with etching in blue, with aquatint in silver and embossing, from multiple plates, with hand-coloring, on ivory wove paper · 1936
Art Institute of Chicago
Dance I/Diptych
Dance I/Diptych
Eldzier Cortor
Mezzotint with etching in blue, with aquatint in silver and embossing, from multiple plates, with hand-coloring, on ivory wove paper · 1936
Art Institute of Chicago
Desert Cedars, New Mexico
Desert Cedars, New Mexico
George Elbert Burr
etching in blue-black on wove paper · 1920
National Gallery of Art
Avocat compulsant un dossier (Lawyer Going through a Brief)
Avocat compulsant un dossier (Lawyer Going through a Brief)
Jean-Louis Forain
etching in blue on laid Van Gelder paper · 1909
National Gallery of Art
Letter to William Heinemann with corrections for Eden versus Whistler: The Baronet and the Butterfly. A Valentine with a Verdict
Letter to William Heinemann with corrections for Eden versus Whistler: The Baronet and the Butterfly. A Valentine with a Verdict
James McNeill Whistler
Pen and brownish black ink, with graphite, on cream laid paper and etching in blue (recto); pen and brownish black ink and graphite on cream laid paper (verso) · 1898
Art Institute of Chicago
Auguste Delâtre au travail (Auguste Delâtre at Work)
Auguste Delâtre au travail (Auguste Delâtre at Work)
Maximilien Luce
etching in blue-black on wove paper · 1895
National Gallery of Art
Harbor in Holland - Flushing (La balise - En Holland, Flessingue)
Harbor in Holland - Flushing (La balise - En Holland, Flessingue)
Paul Signac
etching in blue-green on laid paper · 1894
National Gallery of Art
Seated Bather
Seated Bather
Pierre-Auguste Renoir
Color soft ground etching in blue on ivory wove paper · 1892
Art Institute of Chicago
The Steam Launch, Chelsea Embankment
The Steam Launch, Chelsea Embankment
Theodore Roussel
Etching in blue-green, with plate tone, on cream wove paper · 1888
Art Institute of Chicago
Frontispiece for "Un bouquiniste parisien : le père Lécureux"
Frontispiece for "Un bouquiniste parisien : le père Lécureux"
Maxime Lalanne
etching in blue on wove paper · 1878
National Gallery of Art
A Vessel Under Sail
A Vessel Under Sail
Jean-François Millet
Etching in blue on ivory laid paper · 1847
Art Institute of Chicago