Database / Artworks
Artworks
Untitled (Geese)
Susan Rothenberg
Etching, aquatint, and sugar-lift aquatint on chine collé · 1999
Museum of Modern Art
Untitled (Black Arm)
Susan Rothenberg
Sugar-lift aquatint on chine collé · 1999
Museum of Modern Art
Plate Eight from Nye 10 Illustrationer
Per Kirkeby
Sugar-lift aquatint, drypoint on white wove paper · 1984
Art Institute of Chicago
Plate Seven from Nye 10 Illustrationer
Per Kirkeby
Sugar-lift aquatint, drypoint on white wove paper · 1984
Art Institute of Chicago
Title Plate from Nye 10 Illustrationer
Per Kirkeby
Sugar-lift aquatint on white wove paper · 1984
Art Institute of Chicago
Aging Artist
Misch Kohn
Sugar-lift aquatint, etching, and repoussé on buff China, laid down on white wove paper (chine collé) · 1976
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in white from two plates, with additions in chalk, on brown wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate, with blue, yellow, and red chalk, on white wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint in black from one copperplate on off-white wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in black from two copperplates on brown wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in black from two copperplates, with pen and black ink, on gray wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate,
with burnishing, plate tone, and red pencil,
on off-white wove paper · 1969
Art Institute of Chicago
Crete
Helen Frankenthaler
Sugar-lift aquatint from one plate, with graphite on pinkish cream wove paper · 1969
Art Institute of Chicago
Crete
Helen Frankenthaler
Color etching and sugar-lift aquatint from two copper plates on white wove paper · 1969
Art Institute of Chicago
Crete
Helen Frankenthaler
Color sugar-lift aquatint and etching from two plates on off-white wove paper · 1969
Art Institute of Chicago
Yellow Span
Helen Frankenthaler
Color sugar-lift aquatint from two plates, with graphite notations on white wove paper · 1968
Art Institute of Chicago
Yellow Span
Helen Frankenthaler
Color sugar-lift aquatint from two plates, with graphite notations on white laid paper · 1968
Art Institute of Chicago
Yellow Span
Helen Frankenthaler
Color sugar-lift aquatint from one plate on white wove paper · 1968
Art Institute of Chicago
Yellow Span
Helen Frankenthaler
Sugar-lift aquatint from one plate on white wove paper · 1968
Art Institute of Chicago
207, from 347 Gravures
Pablo Picasso
Sugar-lift aquatint on white wove paper · 1968
Art Institute of Chicago
Figure
Misch Kohn
Sugar-lift aquatint and etching on China paper, laid down on white wove paper (chine collé) · 1963
Art Institute of Chicago
My Other Ancestor
Misch Kohn
Sugar-lift aquatint and aquatint, with drypoint, chine collé on white wove paper · 1957
Art Institute of Chicago
Lion
Misch Kohn
Sugar-lift aquatint and burin chine collé on white wove paper · 1936
Art Institute of Chicago
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago