Database / Artworks
Artworks

Untitled from 1989
Robert Wilson
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Chuck Close
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Radio Pudding from 1989
Frank Moore
Monotype and photoetching from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Laurie Simmons
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Really from 1989
Jim Hodges
Double-sided digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Jorge Pardo
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Johnnie Ray from 1989
Jack Pierson
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Cindy Sherman
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Kiki Smith
Etching and aquatint from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

1989
Frank Moore
Portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Ripple Chip from 20" x 15"
Sean Mellyn
Aquatint, photoetching, and woodcut from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Untogether from 20" x 15"
Jonathan Seliger
Etching and aquatint from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Proust from 20" x 15"
Matthew Abbott
Aquatint with embossing from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

All Types of Fat International from 20" x 15"
Nicole Eisenman
Aquatint and photogravure from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

20" x 15"
Sean Mellyn
Portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Untitled from 20" x 15"
Ava Gerber
Aquatint and screenprint with collage additions from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Ice Floe, Utoro (Utoro ryūhyō)
Yoshida Chizuko
Photoetching and color woodblock print; artist’s proof · 1995
Art Institute of Chicago

LA
Saul Steinberg
Color photoetching on white wove paper · 1994
Art Institute of Chicago

Untitled (for Texte zur Kunst no. 15)
Christopher Wool
Photoetching · 1994
Museum of Modern Art

Triple Loop from Computographics
Keith Sonnier
Photoetching with collage from a series of five accordion-folded photoetchings, two with collage additions · 1994
Museum of Modern Art

Hotel Delacourt from Computographics
Keith Sonnier
One from a series of five accordion-folded photoetchings, two with collage additions · 1994
Museum of Modern Art

In Between from Computographics
Keith Sonnier
One from a series of five accordion-folded photoetchings, two with collage additions · 1994
Museum of Modern Art

Lit Circle from Computographics
Keith Sonnier
Photoetching with collage from a series of five accordion-folded photoetchings, two with collage additions · 1994
Museum of Modern Art

Neon and Cloth from Computographics
Keith Sonnier
One from a series of five accordion-folded photoetchings, two with collage additions · 1994
Museum of Modern Art