Database / Artworks
Artworks
A Horse and Carriage
Constantin Guys, French
figures, drawing — pen and brown ink, brush and brown wash on paper laid down on mousseline de soie · 1860
Cooper Hewitt, Smithsonian Design Museum
Miriam Watching the Finding of Moses in the Bulrushes
Simeon Solomon
Pen and brown ink, brush and brown wash, over graphite · 1859
The Metropolitan Museum of Art
Love
Simeon Solomon
Graphite, pen and brown ink, brush and brown wash · 1858
The Metropolitan Museum of Art
Caricature
Caran d'Ache
Pen and brown ink, brush and brown wash · 1858
The Metropolitan Museum of Art
Faust: Part 1. Last Scene
Dante Gabriel Rossetti
Pen and brown ink, brush and brown wash over graphite, on tan paper · 1846
The Metropolitan Museum of Art
Landscape with cattle in Weißbach on the Rhön
Carl Wagner
Pen and brown ink, brush and brown wash, with touches of yellow wash · 1841
The Metropolitan Museum of Art
The Adoration of the Shepherds
Minardi Tommaso, Italian
Pen and brown ink, brush and brown wash, over graphite · 1837
The Metropolitan Museum of Art
Study for "The Bride at Her Toilet on the Day of Her Wedding"
Sir David Wilkie
Pen and brown ink, brush and brown wash · 1833
The Metropolitan Museum of Art
Design for a Porcelain Plate, Brewery Interior for the Sevres Industrial Arts Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, lined · 1831
Cooper Hewitt, Smithsonian Design Museum
Chandelier
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash on off-white laid paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Taureau (Taurus) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, La Balance (Libra) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Les Prunes et Pruneaux (Plums and Prunes) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, graphite on cream laid paper; circular border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Three Studies of Wall Mirrors
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1822
Cooper Hewitt, Smithsonian Design Museum
Madonna Enthroned
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child in Glory, Study after Dosso Dossi
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child Enthroned with Saints; Study after Panetti or Costa
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lamentation over the Body
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Blinded Soldier, Detail from the Conversion of St. Paul, Study after Agostino Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Four Herms, Studies after the Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum