Database / Artworks
Artworks
New York Moonlight
Saul Steinberg
Graphite, pen and black ink, colored pencils, and gouache, with cut and pasted metallic foil and paper elements, on white wove card · 1974
Art Institute of Chicago
Ceiling of Courtroom, Federal Building, Cleveland, OH
Arnold William Brunner, American
architecture, interiors, drawing — graphite, pen and black ink, brush and gray wash on paper · 1917
Cooper Hewitt, Smithsonian Design Museum
Bridge for the New York Connecting Railroad, Queens Boulevard, Long Island
Arnold William Brunner, American
architecture, drawing — graphite, pen and black ink, white chalk on paper · 1910
Cooper Hewitt, Smithsonian Design Museum
Plan, Sketch for Library Museum for J. Pierpont Morgan, Esq., New York
Whitney Warren Jr., American
architecture, drawing — graphite, pen and black ink, brush and blue and yellow watercolor, red and green crayon, on tracing paper mounted on white laid paper · 1900
Cooper Hewitt, Smithsonian Design Museum
Sheet of Studies (recto); Woman Putting on Gloves (verso)
Pierre Bonnard
Graphite, pen and black ink, brush and black wash, and watercolor (recto), and watercolor with graphite and charcoal (verso), on ivory wove paper · 1890
Art Institute of Chicago
The Windmill on the Road
George Hitchcock, American
Graphite, pen and black ink on cream-colored paper · 1887
Cooper Hewitt, Smithsonian Design Museum
Study for Inspiration Point, Riverside Drive, New York City
Arnold William Brunner, American
landscapes, drawing — graphite, pen and black ink, brush and yellow watercolor, white heightening on gray cardboard · 1872
Cooper Hewitt, Smithsonian Design Museum
Border design with knights, ladies and dragons (recto); Sketches for border elements (verso)
Richard Doyle
Recto: graphite, pen and black ink, touches of brush and yellow-green wash
Verso: graphite · 1850
The Metropolitan Museum of Art
Border design with knights, ladies and dragons (recto); Sketches for border elements (verso)
Doyle
Recto: graphite, pen and black ink, touches of brush and yellow-green wash
Verso: graphite · 1850
The Metropolitan Museum of Art
Architectural Details in Classical and Pseudo-Classical Style
Romolo Achille Liverani, Italian
architecture, drawing — graphite, pen and black ink, brush and bistre, gray watercolor on paper · 1840
Cooper Hewitt, Smithsonian Design Museum
Stage Design: Landscape with Hut, for the Opera La Straniera
Romolo Achille Liverani, Italian
landscapes, drawing — graphite, pen and black ink, brush and watercolor on paper · 1840
Cooper Hewitt, Smithsonian Design Museum
Parure of diadem, brooch and necklace with lapis lazuli and enamel
Alexis Falize
Graphite, pen and black ink, watercolor and gouache on brown paper · 1825
The Metropolitan Museum of Art
Parure of diadem, brooch and necklace with lapis lazuli and enamel
Alexis Falize, French
Graphite, pen and black ink, watercolor and gouache on brown paper · 1825
The Metropolitan Museum of Art
Head of a Man
Honoré Daumier
watercolor over graphite, pen and black ink, and black chalk · 1808
National Gallery of Art
A House near a Grotto and a Roadside Chapel at Lake Nemi, with a View of Genzano from the North; verso: Sketch of Trees on the Border of a Lake, with Mountains in the Background
Johann Martin von Rohden
Graphite, pen and black ink · 1798
The Metropolitan Museum of Art
Sketches of Head, Arm, and Kneeling Figure
George Cruikshank
graphite, pen and black ink, with pink, brown, and green wash · 1792
National Gallery of Art
Design for an Urn
Giuseppe Barberi, Italian
classicism, drawing — graphite, pen and black ink, brush and wash on paper · 1790
Cooper Hewitt, Smithsonian Design Museum
Design for an Urn
Giuseppe Barberi, Italian
classicism, drawing — graphite, pen and black ink, brush and gray wash on paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Design for an Urn
Giuseppe Barberi, Italian
classicism, drawing — graphite, pen and black ink, brush and gray wash on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon
Henry Fuseli
Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card · 1770
Art Institute of Chicago
Design for the Frame of the Portrait of Charles III, King of Spain
Johann Esaias Nilson, German
ornament, drawing — graphite, pen and black ink, brush and wash on paper · 1759
Cooper Hewitt, Smithsonian Design Museum
Design for an Elevation and Plan of a Doorway Leading into a Park
Filippo Marchionni, Italian
architecture, drawing — graphite, pen and black ink, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Two Doorcases
Carlo Marchionni, Italian
Graphite, pen and black ink, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a Window Frame
Filippo Marchionni, Italian
Graphite, pen and black ink on laid paper · 1740
Cooper Hewitt, Smithsonian Design Museum