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Artworks

24 records · Color soft ground etching
Untitled (State 2)
Untitled (State 2)
Martin Puryear
Color soft ground etching, with drypoint, on cream Japanese paper, laid down on white wove paper (chine collé) · 2014
Art Institute of Chicago
Immobile Sun XXI-C
Immobile Sun XXI-C
Adja Yunkers
Color soft ground etching, aquatint, and screenprint on white wove paper · 1983
Art Institute of Chicago
A Moment Into Eternity II
A Moment Into Eternity II
Adja Yunkers
Color soft ground etching, aquatint, lithograph, and screenprint on white wove paper · 1982
Art Institute of Chicago
Stage Struck
Stage Struck
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1982
Art Institute of Chicago
Ashland Series #1
Ashland Series #1
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1980
Art Institute of Chicago
Green Shoes
Green Shoes
William T. Wiley
Color soft ground etching and aquatint on cream wove paper · 1977
Art Institute of Chicago
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
Warrington Colescott
Color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper · 1976
Art Institute of Chicago
A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
Warrington Colescott
Color soft ground etching, with vibrograver, and viscosity inking on paper · 1975
Art Institute of Chicago
Spoon Pier
Spoon Pier
Claes Oldenburg
Color soft ground etching from four copper plates, sugar lift, and aquatint, on off-white wove paper · 1975
Art Institute of Chicago
White 10-13, from A la pintura
White 10-13, from A la pintura
Robert Motherwell
Color soft ground etching from two copper plates, with leterpress, on white wove paper · 1972
Art Institute of Chicago
To the Paintbrush, from A la pintura
To the Paintbrush, from A la pintura
Robert Motherwell
Color soft ground etching with aquatint from one copper plate, with letterpress, on white wove paper · 1969
Art Institute of Chicago
Villa D'Este
Villa D'Este
Vera Berdich
Color soft ground etching, with aquatint, on off-white wove paper · 1955
Art Institute of Chicago
Classic Head
Classic Head
Vera Berdich
Color soft ground etching and aquatint on off-white wove paper · 1955
Art Institute of Chicago
Nestlings
Nestlings
Vera Berdich
Color soft ground etching with aquatint, on white wove paper · 1954
Art Institute of Chicago
Marché Aux Puces
Marché Aux Puces
Vera Berdich
Color soft ground etching, with aquatint and line etching, on white wove paper · 1952
Art Institute of Chicago
Time Being Day by Day
Time Being Day by Day
Vera Berdich
Color soft ground etching with line etching on white wove paper · 1952
Art Institute of Chicago
The Bell and The Muse
The Bell and The Muse
Vera Berdich
Color soft ground etching, with aquatint and line etching, on cream laid paper · 1950
Art Institute of Chicago
Things to Be Remembered
Things to Be Remembered
Vera Berdich
Color soft ground etching, with aquatint, line etching, and flat bite, inked a la poupee, on ivory laid paper · 1949
Art Institute of Chicago
Tree
Tree
Vera Berdich
Color soft ground etching and hard ground etching on white laid paper · 1946
Art Institute of Chicago
Marine
Marine
Raymond Jordan
Color soft ground etching and engraving on white wove paper · 1939
Art Institute of Chicago
Chicago River
Chicago River
Morris Topchevsky
Color soft ground etching, with open bite and drypoint, inked à la poupée, from two plates on off-white wove paper · 1935
Art Institute of Chicago
Onde Verte
Onde Verte
Stanley William Hayter
Color soft ground etching, etching and scorper on white wove paper · 1921
Art Institute of Chicago
The Sea at Bognor
The Sea at Bognor
Theodore Roussel
Color soft ground etching, inked à la poupée, with inkless intaglio on ivory laid paper · 1895
Art Institute of Chicago
Seated Bather
Seated Bather
Pierre-Auguste Renoir
Color soft ground etching in blue on ivory wove paper · 1892
Art Institute of Chicago