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Artworks

83 records · Black ink over graphite
Political Cartoon of the American Civil War
Political Cartoon of the American Civil War
Emanuel Gottlieb Leutze
pen and black ink over graphite on blue-gray laid paper · 1860
National Gallery of Art
Political Cartoon of the American Civil War
Political Cartoon of the American Civil War
Emanuel Gottlieb Leutze
pen and black ink over graphite on blue-gray laid paper · 1855
National Gallery of Art
Hussar (recto) Man with a Top Hat and Bandaged Head (verso)
Hussar (recto) Man with a Top Hat and Bandaged Head (verso)
James McNeill Whistler
Pen and black ink over graphite (recto), and graphite (verso), on cream wove paper · 1854
Art Institute of Chicago
Lancer
Lancer
James McNeill Whistler
Pen and black ink over graphite on cream wove paper · 1854
Art Institute of Chicago
Policeman and Citizen
Policeman and Citizen
James McNeill Whistler
Pen and black ink over graphite on cream wove paper · 1854
Art Institute of Chicago
Gendarme
Gendarme
James McNeill Whistler
Pen and black ink over graphite on cream wove paper · 1854
Art Institute of Chicago
Misery at Home
Misery at Home
Rodolphe Bresdin
Pen and black ink over graphite, on tan tracing paper, laid down on cream wove paper · 1845
Art Institute of Chicago
Bathers in a Brook
Bathers in a Brook
Rodolphe Bresdin
Pen and black ink over graphite, on tan tracing paper, laid down on buff wove paper · 1845
Art Institute of Chicago
African Village
African Village
Rodolphe Bresdin
Pen and black ink over graphite, on tan tracing paper, laid down on buff wove paper · 1845
Art Institute of Chicago
The Nave and Apse, without a Transept, of a Cathedral for Berlin
The Nave and Apse, without a Transept, of a Cathedral for Berlin
Karl Friedrich Schinkel
pen and black ink over graphite with traces of pricking on wove paper · 1827
National Gallery of Art
Study for the Bacchus frieze originally in the dining room of the palace of Duke Maximilian of Bavaria in Munich; verso: Study of a standing nude male figure with a helmet
Study for the Bacchus frieze originally in the dining room of the palace of Duke Maximilian of Bavaria in Munich; verso: Study of a standing nude male figure with a helmet
Ludwig Michael Schwanthaler
Pen and gray-black ink over graphite on two sheets of laid paper, joined · 1824
The Metropolitan Museum of Art
Gustav Heinrich Naeke
Gustav Heinrich Naeke
Julius Schnorr von Carolsfeld
pen and black ink over graphite on wove paper · 1820
National Gallery of Art
A Stalk of Lilies with Six Blooms
A Stalk of Lilies with Six Blooms
Philipp Otto Runge
pen and black ink over graphite on very light green laid paper · 1808
National Gallery of Art
Study for the Engraving Thalkirchen, from series Views of
Study for the Engraving Thalkirchen, from series Views of
Wilhelm Alexander Wolfgang von Kobell
Pen and black ink over graphite on ivory laid paper · 1808
Art Institute of Chicago
Project for a Painted Oblong Ceiling
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Project for a Painted Oblong Ceiling
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Cymon and Iphigenia
Cymon and Iphigenia
James Gillray
Watercolor, pen and black ink over graphite · 1796
The Metropolitan Museum of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Three Sketches of a Standing Woman
Three Sketches of a Standing Woman
John Flaxman
pen and black ink over graphite on laid paper · 1790
National Gallery of Art
Seated Man Flanked by Two Reclining Figures; Huddle of Figures in Lower Left Corner
Seated Man Flanked by Two Reclining Figures; Huddle of Figures in Lower Left Corner
John Flaxman
pen and black ink over graphite on laid paper · 1790
National Gallery of Art
Outside the Salutation Inn, Greenwich
Outside the Salutation Inn, Greenwich
Thomas Rowlandson
Watercolor and pen and black ink and brush and black ink over graphite, on cream wove paper · 1790
Art Institute of Chicago
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