Database / Artworks
Artworks
1.1.3.
Eduardo Terrazas
Pen and black ink over graphite on cream wove paper · 1974
Art Institute of Chicago
Untitled
Andy Warhol
Pen and black ink over graphite on ivory wove paper, tipped onto cream wove paper; blotted onto ivory wove paper, prepared with gold-colored foil · 1957
Art Institute of Chicago
But the thing that bothered me most in visiting England was the way they wasted man-hours knocking off for tea, from Mostly Malarky
Wally Carlson
Pen, brush, and black ink over graphite, with erasing and blue wash with white gouache, and cut-and-pasted papers, on ivory card · 1953
Art Institute of Chicago
Designs for Lounge Chairs
Davis Pratt
Pen and black ink over graphite on tan wove paper · 1950
Art Institute of Chicago
Sparkle Plenty Welcomes Mr. Kubicek and Mr. Gould
Chester Gould
Pen and brush and black ink over graphite with erasing on ivory card, laid down on ivory paper · 1950
Art Institute of Chicago
Figures on Parade
Kurt Seligmann
Black ink over graphite with white wash on ivory card · 1949
Art Institute of Chicago
Facade Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with graphite sketch and notations over commercially printed black ink on the verso · 1926
Art Institute of Chicago
Right Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Rear Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Left Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Plan Overview Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
The Lamps of God
Winsor McCay
pen and black ink over graphite on paperboard · 1922
National Gallery of Art
"Shut your visor... the children can hear you!"
Adrian Lamb
Pen and black ink over graphite, with faded blue wash, on ivory wove paper · 1921
Art Institute of Chicago
"You're wasting your time... You're not going!"
Adrian Lamb
Pen and black ink over graphite, with blue watercolor, on ivory wove paper · 1921
Art Institute of Chicago
a) Negotiations at the Trianon Palace, Versailles (recto); b) Study for Negotiations at the Trianon Palace, Versailles (verso)
Jean-Louis Forain
a) brush and black ink over graphite on wove paper
b) brush and black ink on wove paper · 1919
National Gallery of Art
Persische Nachtigallen (Persian Nightingales)
Paul Klee
gouache, watercolor, and pen and black ink over graphite on laid paper, mounted on cardboard; the sheet bordered at the top with yellow paper strip mounted to support · 1917
National Gallery of Art
A Versailles. L'envoye des boches
Jean-Louis Forain
black crayon and brush and black ink over graphite on wove paper · 1914
National Gallery of Art
Toward Peace
Jean-Louis Forain
brush and black ink over graphite on wove paper · 1914
National Gallery of Art
Dream of the Rarebit Fiend: Here Comes Washington
Winsor McCay
pen and black ink and brush and black ink over graphite, with printed overlay, on paperboard · 1908
National Gallery of Art
Little Nemo in Slumberland: Climbing the Great North Pole
Winsor McCay
pen and black ink and brush and black ink over graphite on paperboard · 1907
National Gallery of Art
Dream of the Rarebit Fiend: Bucking Automobile
Winsor McCay
pen and black ink and brush and black ink over graphite, with printed overlay, on paperboard · 1907
National Gallery of Art
The Artist's Grandmother Sewing (recto); Suzanne Duchamp, the Artist's Sister (verso)
Marcel Duchamp
Watercolor, with graphite (recto), and pen and black ink over graphite (verso), on cream wove paper · 1907
Art Institute of Chicago
Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit"
Winsor McCay
pen and black ink and brush and black ink over graphite on two joined sheets of paperboard · 1906
National Gallery of Art
Child's Funeral in Russia
Ernst Barlach
pen and black ink over graphite · 1906
National Gallery of Art