Artworks

Jean-François Millet

Graphite, with black chalk, heightened with white gouache, on ivory laid paper, laid down on cream wove paper · 1842

Henry Bright

Black chalk, heightened with white gouache, on gray tinted wove paper · 1834

Pierre Henri

Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache · 1800

Augustin Pajou

Pen, brush and brown and black ink, brush and brown wash, with traces of black chalk, heightened with white gouache, over graphite, on buff laid paper, laid down on cream laid card · 1778

Augustin Pajou

Pen, brush and brown and black ink, brush and brown wash, with traces of black chalk, heightened with white gouache, over graphite, on buff laid paper, laid down on cream laid card · 1778

George Romney

Black chalk, heightened with white gouache, over brush and gray wash, on cream wove paper · 1754

Francesco Zuccarelli

pen and brown ink with black and brown wash over black chalk, heightened with white gouache on tan laid paper · 1752

Michel François Dandré-Bardon

Pen and brown ink, brush and brown wash, over red chalk and traces of black chalk, heightened with white gouache · 1740

Alessandro Magnasco

brown wash over black chalk, heightened with white gouache, on buff laid paper · 1720

Francesco Zuccarelli

pen and brown ink with brown wash over black chalk, heightened with white gouache (oxidized), on laid paper, laid down on old mount · 1702

Hyacinthe Collin de Vermont

Black chalk, heightened with white gouache on buff colored antique laid paper · 1700

Giuseppe Passeri

pen and brown ink with brown and red wash, red and black chalk, heightened with white gouache on laid paper · 1695

Pietro da Cortona, Italian

pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalk · 1650

Daniel Seiter

Black chalk, heightened with white gouache · 1647

Giovanni Francesco Romanelli

pen and brown ink with brown and blue wash over black chalk, heightened with white gouache, on laid paper · 1630

Daniele Crespi

pen and brown ink with brown wash over black chalk, heightened with white gouache, on blue laid paper (faded to light brown), squared for transfer in red chalk · 1624

Bernardino Campilli

Black chalk, heightened with white gouache, squared in black chalk, on gray-brown laid paper, laid down on cream laid paper · 1567

Bernardino Campi

Black chalk, heightened with white gouache, squared in black chalk, on gray-brown laid paper, laid down on cream laid paper · 1567

Lattanzio Gambara

pen and brown ink with brown wash over black chalk, heightened with white gouache, with a small patched pasted over the head of the Virgin and then redrawn · 1567

Lattanzio Gambara

pen and brown ink with brown wash over black chalk, heightened with white gouache on paper washed brown · 1567

Giuseppe Porta

Pen and brown ink and brush and brown wash, with traces of black chalk, heightened with white gouache, on blue laid paper, laid down on cream laid card · 1545

Giuseppe Porta, called Giuseppe Salviati

Pen and brown ink and brush and brown wash, with traces of black chalk, heightened with white gouache, on blue laid paper, laid down on cream laid card · 1545

Jacopo Negretti, called Palma Giovane

Pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised · 1544

Giorgio Vasari

Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache, on blue laid paper, squared for transfer in red chalk · 1544