Database / Artworks

Artworks

0 records · Acetate
Forget Me
Forget Me
Julião Sarmento
Polyvinyl acetate paint, acrylic paint, silkscreen and graphite on canvas · 2005
Tate
Untitled
Untitled
Gabriel Orozco
Photoreproduction on acetate sheet with foam · 2003
Museum of Modern Art
Approaching Change
Approaching Change
Cynthia Schira
Cotton, wool, rayon, acrylic, acetate, linen, silk and polyolefin, warp-dyed complementary warp, twill and mix-float weaves with discontinuous wefts · 1997
Art Institute of Chicago
Crazy Circulation
Crazy Circulation
Betty Boulez-Cuykx
Cellulose acetate, interworked elements; embellished with silk in needleworked spots; stiffened · 1996
Art Institute of Chicago
Interior Cartography #35
Interior Cartography #35
Tatiana Parcero
Chromogenic print and acetate · 1996
Museum of Modern Art
The Woods
The Woods
Dianne Shullenberger
Linen, plain weave; appliquéd with cotton, acetate, polyester, and silk, plain, complementary weft plain, twill, satin and satin damask weaves; printed; machine embroidered with cotton and polyester; edged with cotton, satin weave; printed · 1995
Art Institute of Chicago
Sample (Chinese New Year)
Sample (Chinese New Year)
Robert D. Sailors
Silk, silvered-metal wire, and cotton bouclé, raffia, nylon-wrapped-metallized-polyester film, and metallized-polyester-film-wrapped cotton and metal-foil-laminated-in-cellulose-acetate film, plain weave with warp fringe · 1993
Art Institute of Chicago
Sample (UP 149D#1)
Sample (UP 149D#1)
Robert D. Sailors
Nylon-wrapped-metallized-polyester film, wool, rayon, and cellulose acetate, plain weave; open work · 1993
Art Institute of Chicago
Gold/Nylon White (Upholstery Fabric)
Gold/Nylon White (Upholstery Fabric)
Robert D. Sailors
Metal-foil-laminated-in-cellulose-acetate film, nylon, wool, and nylon-wrapped-metallized-polyester film, plain weave · 1993
Art Institute of Chicago
Inch Square...More or Less (Upholstery Fabric)
Inch Square...More or Less (Upholstery Fabric)
Robert D. Sailors
Nylon-wrapped-metallized-polyester film, raffia, cellulose acetate, and wool, plain weave · 1992
Art Institute of Chicago
Untitled
Untitled
Anish Kapoor
Earth, polyvinyl acetate paint and gouache on paper · 1990
Tate
Sample (Hanging)
Sample (Hanging)
Robert D. Sailors
Nylon, cellulose film (coated), cellulose acetate, fiberglass, juste, bamboo, and metal; plain weave; open warp · 1990
Art Institute of Chicago
Passion
Passion
Keiko Kobayashi
Cotton, acrylic, and viscose-rayon and acrylic, areas of plain weaves and twill weaves with viscose-rayon, cellulose acetate, and viscose-rayon on cellulose film(?) supplementary patterning wefts; woven on a loom with a jacquard attachment · 1988
Art Institute of Chicago
Garbage Drawing #14
Garbage Drawing #14
Mike Kelley
Polyvinyl acetate and co-polymer paint on paper · 1988
Museum of Modern Art
Sensible Ellipse of Lost Origin
Sensible Ellipse of Lost Origin
Avis Newman
Acrylic paint, cotton gauze and polyvinyl acetate resin on canvas · 1985
Tate
Le Désert ...
Le Désert ...
Marc Camille Chaimowicz
Photographs, silkscreen, photocopies, acetate and typescript on papers mounted on 13 cards · 1981
Tate
"Strips" Quilt
"Strips" Quilt
Gearldine Westbrook
Pieced cotton, wool, polyester, silk, nylon, rayon, acrylic, and cellulose acetate, plain weaves, plain weave derived float weaves, plain weave with supplementary pile warps forming cut voided pile, plain weave with supplementary patterning wefts; twill weaves, twill weave with self-patterning ground weft floats; machine single and double knits and machine knot with supplementary cut pile; some printed; pieced; edged with cotton, plain weave, printed; backed with polyester, plain weave; printed · 1980
Art Institute of Chicago
"Celebrity Ties" Quilt
"Celebrity Ties" Quilt
Grace C. Wagner
Silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed · 1980
Art Institute of Chicago
Nazi Milk Glass
Nazi Milk Glass
General Idea
Multiple of offset lithograph mounted on glass in embossed acetate presentation cylinder with gold hot-stamping · 1980
Museum of Modern Art
Moon Rise
Moon Rise
Jana Vander Lee
Silk, mohair, acetate, linen, polyester, plain weave with supplementary binding warps tying supplementary patterning and brocading wefts in plain interlacing · 1979
Art Institute of Chicago
Clouds II (Sample) (Furnishing Fabric)
Clouds II (Sample) (Furnishing Fabric)
Ben Rose
Cellulose acetate and biconstituent vinal-vinyon, weft-float faced twill weave; screen printed; right selvage present · 1976
Art Institute of Chicago
Clouds I (Sample) (Furnishing Fabric)
Clouds I (Sample) (Furnishing Fabric)
Ben Rose
Cellulose acetate and biconstituent vinal-vinyon, weft-float faced twill weave; screen printed; right selvage present · 1976
Art Institute of Chicago
Makeup Dpt. from the portfolio Artists & Photographs
Makeup Dpt. from the portfolio Artists & Photographs
Edward Ruscha
Dye-transfer print on acetate · 1975
Museum of Modern Art
Center for Applied Computer Research, Las Promesas, Mexico (Site plan)
Center for Applied Computer Research, Las Promesas, Mexico (Site plan)
Emilio Ambasz
Ink and photostat on acetate · 1975
Museum of Modern Art