Database / Artworks
Artworks
A
Azaleas
Lotus L. Kang
Powder coated steel and aluminum, 35mm film, stepper motor, relays, controllers, sound, stage lights, cables, upholstered wood base, cast aluminum anchovies, nylon, cast bronze cabbage leaf, cast aluminum book, cast aluminum intervertebral discs, cast bronze lotus root, tissue paper, polypropylene, plastic pears, plastic bags, compressed moxa, styrofoam, spirits · 2024
Museum of Modern Art
L
La Nuit Américaine
P Staff
16mm film, color, sound, 12:20 min, transferred to video, with synchronized lighting · 2023
Whitney Museum of American Art
New Poetry
Rashid Johnson
8mm film installation, color, silent, 4:42 min., transferred to video, with two monitors, steel, lights, plants, ceramics, books, and shea butter · 2023
Whitney Museum of American Art
D
Decomposition Animation
Enzo Camacho
16mm film (color, silent) · 2023
Museum of Modern Art
O
Once Again... (Statues Never Die)
Isaac Julien
Five-channel 4K video and 35mm film transferred to high-definition video, black-and-white, 9.2 surround sound, 31:32 min. · 2022
Whitney Museum of American Art
Molt (Toronto-Chicago-Woodridge-New York-Los Angeles-)
Lotus L. Kang
Tanned and unfixed film (continually sensitive), spherical magnets, cast aluminum kelp knot, and steel · 2022
Museum of Modern Art
Uncertain Theme – and Therefore Abstract
Rosa Barba
Steel, Glass, Motor, 35mm film · 2021
Museum of Modern Art
N
No Idling (Study)
Hurvin Anderson
Acrylic paint with tape, over pencil on drafting film (synthetic polymer sheet) · 2021
The Metropolitan Museum of Art
L
La Mojarra Stela and its shapes
Gala Porras-Kim
Graphite and ink on paper; color film on plexiglass, and mahogany wood · 2019
Whitney Museum of American Art
L
Lessons of the Hour
Isaac Julien
Ten-channel 4K video and 35mm film transferred to high-definition video (color, sound; 28:46 min.) and ten projection screens · 2019
Museum of Modern Art
THE GIVERNY SUITE
Ja'Tovia Gary
Three-channel high-definition video and 16mm film transferred to high-definition video (black and white and color, stereo sound; 39:51 min.); settee; twenty-five painted frames; altar to Yemaya (candle, seashells, anchor, fruit, plate, vase, flowers, glass jar of molasses, glass jar of rum, and fabric); and altar to Oshun (candle, mirror, cowrie shells, fruit, cinnamon sticks, plate, vases, flowers, glass jar of white wine, glass jar of honey, and fabric). · 2019
Museum of Modern Art
Aggregate States of Matters
Rosa Barba
35mm film (color, sound; 21:14 min.) and custom 35mm projection system · 2019
Museum of Modern Art
R
Red Film
Sara Cwynar
16mm film transferred to high-definition video (color, sound) · 2018
Museum of Modern Art
Galvanoscope 2 (Film A and Film B)
Raha Raissnia
Two 16mm films, two 16mm film projectors, wood, and scrim · 2018
Museum of Modern Art
Antigone
Tacita Dean
Two synchronized 35mm anamorphic color films, optical sound, with a running time of exactly 1 hour, continuous loop synched to start on the hour · 2018
Museum of Modern Art
Incense Sweaters & Ice
Martine Syms
Three-channel video (color, sound; 69 min.), color window film, wall painting, Augmented Reality (AR) app, steel benches, and twelve archival pigment prints on found posters · 2017
Museum of Modern Art
Hyper-Reality
Keiichi Matsuda
Film · 2016
Victoria and Albert Museum
Raised Rock
Adam Peiperl
Plastic film, light polarizer with color filter and diffuser, turntable, and lacquered wood · 2016
Art Institute of Chicago
Vokzal
Leigh Ledare
16 mm film, DVD, sound · 2016
Art Institute of Chicago
White Dwarf
María Eugenia Dávila
Silk, moriche palm fiber, alpaca, metalized synthetic film wrapped thread (gold and silver), and metalized synthetic film strip (silver); plain weave, multi-layer cloth · 2016
Art Institute of Chicago
B
Belief Strategy XIV
Martine Syms
Color window film · 2016
Museum of Modern Art
D
Dawson City: Frozen Time
Bill Morrison
35mm film (black and white and color, sound) · 2016
Museum of Modern Art
T
Time Tenderness (Film)
Andrea Geyer
Super 16mm film, color, silent, 8:10 min, transferred to video · 2015
Whitney Museum of American Art
Afterword via Fantasia
Catherine Sullivan
Single-channel digital video projection (some elements transferred from 16mm film), black and white, color, sound; 97 min. 26 sec. · 2015
Art Institute of Chicago