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Artworks
Le sourire: Journal sérieux, Nov. 1899
Paul Gauguin
Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper · 1899
Art Institute of Chicago
Le sourire: Journal sérieux, Nov. 1899
Paul Gauguin
Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper · 1899
Art Institute of Chicago
Le sourire: Journal sérieux, Aug. 21, 1899
Paul Gauguin
Mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper · 1899
Art Institute of Chicago
Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire
Paul Gauguin
Wood-block print in black on thin, ivory Japanese paper · 1899
Art Institute of Chicago
Bust of a Nude Woman and Three-Quarter Figure of a Man with a White Cap in Profile, Third Small Figure at Far Right, headpiece for Le sourire
Paul Gauguin
Wood-block print in black ink on cream wove paper · 1899
Art Institute of Chicago
Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1899
Art Institute of Chicago
A Horse and Birds, headpiece for Le sourire
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1899
Art Institute of Chicago
Change of Residence, from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso) · 1899
Art Institute of Chicago
Three People, a Mask, a Fox and a Bird, headpiece forLe sourire
Paul Gauguin
Wood-block print in black ink on ivory China paper · 1899
Art Institute of Chicago
Le Sourire (The Smile)
Paul Gauguin
Woodcut · 1899
Museum of Modern Art
Te Pape Nave Nave (Delectable Waters)
Paul Gauguin
oil on canvas · 1898
National Gallery of Art
Be in Love and You will be Happy (Soyez amoureuses, vous serez heureuses)
Paul Gauguin
woodcut in light brown and black on chine collé · 1898
National Gallery of Art
The Rape of Europa (L'enlevement d'Europe)
Paul Gauguin
woodcut on chine collé, with a fragment of another print on back of mount · 1898
National Gallery of Art
The Ox Cart (Le char a boeufs)
Paul Gauguin
woodcut on Japan paper · 1898
National Gallery of Art
Te Arii Vahine (Lady of Royal Blood)
Paul Gauguin
woodcut on japan paper, adhered along top and bottom edges to mount · 1898
National Gallery of Art
Eve
Paul Gauguin
woodcut on Japan paper · 1898
National Gallery of Art
Human Misery (Misères humaines)
Paul Gauguin
woodcut on Japan paper, perimeter mounted · 1898
National Gallery of Art
Te Atua (The Gods) Small Plate
Paul Gauguin
two laminated woodcuts on Japanese paper, double-mounted on wove paper · 1898
National Gallery of Art
Wayside Shrine in Brittany (Le calvaire Breton)
Paul Gauguin
woodcut on very thin Japan paper · 1898
National Gallery of Art
Faa Iheihe
Paul Gauguin
Oil paint on canvas · 1898
Tate
Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin laid ivory Japanese paper, laid down on thin wove white Japanese paper · 1898
Art Institute of Chicago
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper · 1898
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1898
Art Institute of Chicago
Study of Tahitian Heads
Paul Gauguin
Watercolor and pastel monotype from a paper matrix, with pastel, on cream Japanese paper, laid down on cream 4-ply mat board · 1898
Art Institute of Chicago