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Artworks

Panel (Dress Fabric)
Han-Chinese
Brocade, dragons, bats and clouds, soft yellow · 1875
Art Institute of Chicago

Woman's Ao (Short Robe)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave · 1875
Art Institute of Chicago

Embroidered Trimmings for a Woman's Ao (Short Coat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; ink outlines; embroidered in back, cross, eyelet, fly, knot, single satin, satin, split, and stem stitches; couching · 1875
Art Institute of Chicago

Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with gold-leaf-over-lacquered-paper-strip-wrapped wild silk and silk, laid work and couching; collar tape, closures, and lining: silk, warp-float faced 7:1 satin weave; metal button · 1875
Art Institute of Chicago

Uncut Yardage (For Woman's Coat)
Han-Chinese
Panel of uncut sleeve bands and collar edging, shades of blue embroidery on cream satin. · 1875
Art Institute of Chicago

Fragment (Trouser Band)
Han-Chinese
1875
Art Institute of Chicago

Sleeve Band
Han-Chinese
embroidered in silks on gauze in design of flowers and plants in jardinieres · 1875
Art Institute of Chicago

Bridal Long Pao (Dragon Robe)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'Z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button · 1875
Art Institute of Chicago

Trouser Band
Han-Chinese
Embroidered on gauze · 1875
Art Institute of Chicago

Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago

Woman's Qun (Semiformal Domestic Skirt)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in knot, single satin, satin, split, and stem stitches; laid work and couching; ribbons: silk, plain weave with supplementary patterning warps; trimmed with silk, warp-float faced 4:1 satin weave; waistband: cotton, plain weave; lined with silk, plain weave · 1870
Art Institute of Chicago

Woman's Surcoat
Han-Chinese
Body: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped wild silk in laid work and couching; neck, front, hem, sides and sleeves: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk wrapped cotton in knot, satin and stem stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; three ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave self-patterned by main warp floats (narrowest has gold-leaf-over-lacquered-strip-wrapped silk); lined with silk, plain weave · 1860
Art Institute of Chicago

Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk and cotton, plain weaves and silk, plain weave self-patterned by ground weft floats; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in chain, eyelet, and satin stitches; laid work and couching; collar and edge trim: silk, warp-float faced 4:1 and 6:1 satin weaves; lined with ramie, plain weave · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago

Boy's Baijia Pao ("One Hundred Household" Robe)
Han-Chinese
Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave · 1850
Art Institute of Chicago

Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches; sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned by ground weft floats; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; trim, closures, and ties: silk, warp-float faced 4:1 satin weave; lined with silk, 3:1 twill damask weave; sleeve inner lining: cotton, plain weave · 1820
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago