Database / Artworks
Artworks
Linear Perspective used in painting art, gepubliceerde versie
Christoffer Wilhelm Eckersberg
etching on paper · 1841
Rijksmuseum
Linear Perspective used in painting art, 1e versie, proefdruk
Christoffer Wilhelm Eckersberg
etching on paper · 1841
Rijksmuseum
Two women conversing on a street corner, from "Linear Perspective, Applied to the Art of Painting"
Christoffer Wilhelm Eckersberg
Etching · 1841
The Metropolitan Museum of Art
A couple conversing in a stable yard, with a double rainbow overhead, from 'Linear Perspective, Applied to the Art of Painting'
Christoffer Wilhelm Eckersberg
Etching · 1841
The Metropolitan Museum of Art
The Deck of a Warship
Christoffer Wilhelm Eckersberg
Etching in black on ivory wove paper · 1834
Art Institute of Chicago
Deck of a Warship
Christoffer Wilhelm Eckersberg
Etching · 1828
The Metropolitan Museum of Art
Vessel of the Russian Line (Vaisseau de ligne russe)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper · 1827
Art Institute of Chicago
The Cloisters, San Lorenzo fuori le mura
Christoffer Wilhelm Eckersberg
Oil on canvas · 1824
Art Institute of Chicago
View of the Cloaca Maxima, Rome
Christoffer Wilhelm Eckersberg
oil on canvas · 1814
National Gallery of Art
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)
Christoffer Wilhelm Eckersberg
Oil on canvas · 1814
The Metropolitan Museum of Art
Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper · 1812
Art Institute of Chicago
The Sword of Damocles; verso: Sketches of Man's Head and of a Figure with a Raised Arm
Christoffer Wilhelm Eckersberg
Pen and black ink, over graphite · 1805
The Metropolitan Museum of Art
The Surviving Horatian
Christoffer Wilhelm Eckersberg
Pen and black ink, brush and gray wash; framing lines in pen and black ink, by the artist · 1800
The Metropolitan Museum of Art