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Artworks

Blake after his Visionary Self-Portrait, Samuel Palmer after a Photograph, Blake: A Fragment, An Adamite Vision of Blake, plates 111-114 from The Wood Engravings of Leonard Baskin
Leonard Baskin
Wood engraving on cream wove Japanese paper · 1956
Art Institute of Chicago

George Richmond Engraving "The Shephard," George Richmond in his Engraving Costume, Samuel Palmer, A Visionary Portrait of Henry Walter, Samuel Palmer when he first Met Blake, plate 120-125 from The Wood Engravings of Leonard Baskin
Leonard Baskin
Wood engraving on cream wove Japanese paper · 1956
Art Institute of Chicago

Edward Calvert (plate, folio 31) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Samuel Palmer when he First Met William Blake (plate, folio 21) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Blake: An Imagined Death Mask (plate, folio 19) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Blake: A Fragment (plate, folio 11) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Blake, after his Visionary Self Portrait (plate, folio 15) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Edward Calvert, after a Portrait by his Third Son (plate, folio 35) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Frederick Tathem, from a Little-Known Photograph (plate, folio 37) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Francis Finch (plate, folio 43) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Edward Calvert Preparing to Sacrifice a Lamb (plate, folio 33) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Blake, from Life Mask by Deville (plate, folio 17) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Blake, after a Drawing by John Linnell (plate, folio 9) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Samuel Palmer (plate, folio 25) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Samuel Palmer, after a Photograph (plate, folio 27) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

A Visionary Portrait of Henry Walker (plate, folio 29) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

George Richmond Engraving "The Shepherd" (plate, folio 39) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

George Richmond in his Engraving Costume (plate, folio 41) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Samuel Palmer, after the Watercolor by Walter (plate, folio 23) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

An Adamite Vision of Blake (plate, folio 13) from Blake and the Youthful Ancients
Leonard Baskin
Wood engraving · 1956
Museum of Modern Art

Walt Whitman, plate 100 from The Wood Engravings of Leonard Baskin
Leonard Baskin
Wood engraving on cream wove Japanese paper · 1955
Art Institute of Chicago

Beattitude, plate 101 from The Wood Engravings of Leonard Baskin
Leonard Baskin
Wood engraving on cream wove Japanese paper · 1955
Art Institute of Chicago

Fantastic Creature, Mark for Louis Smith, Ex-Libris for Max Kahn, Angel, plates 96-99 from The Wood Engravings of Leonard Baskin
Leonard Baskin
Wood engraving on cream wove Japanese paper · 1955
Art Institute of Chicago

The Hanged Man
Leonard Baskin
Woodcut · 1955
Museum of Modern Art