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Artworks
Plate 20 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Georges Vantongerloo
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate (folio 22) from 10 Origin
Georges Vantongerloo
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph · 1942
Museum of Modern Art
10 Origin
Georges Vantongerloo
Portfolio of six linoleum cuts, three woodcuts, and one lithograph · 1942
Museum of Modern Art
Relation of Lines and Colors
Georges Vantongerloo
Oil on board · 1939
Museum of Modern Art
Curving Function Greenish Brown
Georges Vantongerloo
Oil on hardboard · 1938
Art Institute of Chicago
No. 98 2478 Red/135 Green
Georges Vantongerloo
Oil paint on plywood · 1936
Tate
The Function of Lines
Georges Vantongerloo
Brush with opaque and transparent watercolor and pen and black ink on beige, wove paper · 1936
Art Institute of Chicago
XY = K Green and Red
Georges Vantongerloo
Gouache on paper · 1929
Museum of Modern Art
Interrelation of Volumes from the Ellipsoid
Georges Vantongerloo
Plaster · 1926
Art Institute of Chicago
Facade Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with graphite sketch and notations over commercially printed black ink on the verso · 1926
Art Institute of Chicago
Right Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Rear Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Left Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Plan Overview Study for "Interrelation of Volumes from the Ellipsoid"
Georges Vantongerloo
Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso · 1926
Art Institute of Chicago
Composition II, Indigo Violet Derived from Equilateral Triangle
Georges Vantongerloo
Oil on canvas mounted on cardboard · 1921
Museum of Modern Art
Interrelation of Volumes
Georges Vantongerloo
Sandstone · 1919
Tate
Étude No. 1
Georges Vantongerloo
Oil on pressboard · 1917
Art Institute of Chicago
Construction within a Sphere
Georges Vantongerloo
Silvered plaster · 1917
Museum of Modern Art