Database / Artworks
Artworks
Plate
Abraham Bloemaert
Hard-paste porcelain · 1730
The Metropolitan Museum of Art
Bishop Kneeling in Prayer
Abraham Bloemaert
Pen and brown ink, and brush and brown wash, heightened with lead white (discolored), over graphite on cream laid card, laid down on ivory wove card · 1700
Art Institute of Chicago
Psyche Asleep
Abraham Bloemaert
Red chalk, on tan laid paper, laid down on cream wove card · 1650
Art Institute of Chicago
Study of a Nude Man
Abraham Bloemaert
Black chalk on buff laid paper · 1645
Art Institute of Chicago
Christus met kruis verschijnt aan Ignatius van Loyola
Abraham Bloemaert
pen on chalk, paper, ink, paint (coating) · 1645
Rijksmuseum
De heilige Familie
Abraham Bloemaert
brush on chalk, paper, paint (coating) · 1640
Rijksmuseum
Head of an Old Man
Abraham Bloemaert
oil on panel · 1625
National Gallery of Art
Bishop seated in his Study, seen from his Right Side
Abraham Bloemaert
Pen and brown ink and brush and brown ink wash over graphite with opaque white watercolor on cream laid paper · 1625
Art Institute of Chicago
Saint Willibrord
Abraham Bloemaert
Pen and brown ink and brush and brown wash, with opaque white watercolor, over charcoal, on cream laid paper prepared with a blue wash · 1625
Art Institute of Chicago
Studies van een staande trompetter en studies van handen en armen
Abraham Bloemaert
chalk, paper, deck paint · 1624
Rijksmuseum
St Jerome
Abraham Bloemaert
Chiaroscuro woodcut from three block on ivory laid paper · 1620
Art Institute of Chicago
The Virgin and Child with St. Joseph
Abraham Bloemaert
Chiaroscuro woodcut from three blocks on ivory laid paper · 1620
Art Institute of Chicago
The Madonna and Child
Abraham Bloemaert
Chiaroscuro woodcut from three blocks on ivory laid paper · 1620
Art Institute of Chicago
Landscape with Seated Figure and Dog
Abraham Bloemaert
black chalk and pen and brown ink with brown wash on laid paper, incised for transfer and blackened on verso · 1615
National Gallery of Art
Farm Under Thatched Roofs
Abraham Bloemaert
Pen and brown ink, over traces of black chalk, on ivory laid paper · 1614
Art Institute of Chicago
The Golden Age
Abraham Bloemaert
Engraving on ivory laid paper · 1610
Art Institute of Chicago
Juno
Abraham Bloemaert
Etching on paper · 1610
Art Institute of Chicago
Ritual Washing of the Israelites
Abraham Bloemaert
black chalk and pale blue-green wash on laid paper · 1606
National Gallery of Art
Juno
Abraham Bloemaert
etching on laid paper · 1605
National Gallery of Art
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Peasant's Cottage (recto)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Juno
Abraham Bloemaert
Etching, on ivory laid paper · 1605
Art Institute of Chicago
Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk · 1605
Cleveland Museum of Art