Database / Artworks
Artworks

The Flight into Egypt
Vittore Carpaccio
oil on panel · 1515
National Gallery of Art

The Martyrdom of the Ten Thousand
Vittore Carpaccio
red chalk on laid paper, with unrelated short pen strokes · 1513
National Gallery of Art

Groups of Male Figures
Vittore Carpaccio
red chalk with pen and brown ink on laid paper · 1509
National Gallery of Art

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Vittore Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago

The Virgin and Four Other Women
Vittore Carpaccio
pen and brown ink with gray wash over charcoal on laid paper · 1505
National Gallery of Art

Madonna and Child
Vittore Carpaccio
oil on poplar panel · 1505
National Gallery of Art

The Virgin Reading
Vittore Carpaccio
oil on panel transferred to canvas · 1505
National Gallery of Art

The Madonna and Child with Saints in a Landscape (Sacra Conversazione)
Vittore Carpaccio
pen and brown ink (iron gall) with brown wash over black chalk on laid paper (cut vertically at center and reattached, laid on nineteenth century mount) · 1500
National Gallery of Art

Studies of a Seated Youth in Armor
Vittore Carpaccio
Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper · 1500
The Metropolitan Museum of Art

Saint Martin and the Beggar
Vittore Carpaccio
Pen and gray ink, brush and gray wash, over faint traces of black chalk · 1493
The Metropolitan Museum of Art

The Meditation on the Passion
Vittore Carpaccio
Oil and tempera on wood · 1485
The Metropolitan Museum of Art

Three Philosophers
Vittore Carpaccio
pen and black ink on laid paper · 1465
National Gallery of Art

Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
Brush with black ink and gray wash, over black chalk or charcoal, highlighted with white gouache (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso) · 1460
The Metropolitan Museum of Art