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Artworks

Downfall, from A Life
Max Klinger
Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Suffer!, plate fourteen from A Life
Max Klinger
Etching, aquatint and drypoint in black ink on grayish ivory wove paper, laid down on cream laid plate paper (chine collé) · 1884
Art Institute of Chicago

Back into Nothingness, plate fifteen from A Life
Max Klinger
Aquatint and etching on ivory China paper laid down on cream laid paper · 1884
Art Institute of Chicago

The Proposition, from A Life
Max Klinger
Etching and aquatint, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Downfall, plate twelve from A Life
Max Klinger
Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

On the Street, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

On the Street, plate nine from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

For Everyone, plate eight from A Life
Max Klinger
Etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Chained, plate eleven from A Life
Max Klinger
Aquatint and etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Into the Gutter!, plate ten from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Christ and the Women Sinners, plate thirteen from A Life
Max Klinger
Etching and aquatint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Rivals, plate seven from A Life
Max Klinger
Etching and aquatint, with roulette, stipple and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

The Proposition, plate six from A Life
Max Klinger
Etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Temptation, plate four from A Life
Max Klinger
Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Dreams, plate three from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Abandoned, plate five from A Life
Max Klinger
Etching and aquatint, with stipple and drypoint, in sanguine on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Preface I, plate one from A Life
Max Klinger
Etching, with aquatint, roulette and drypoint in black and red ink on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Preface I, plate two from A Life
Max Klinger
Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Dreams, plate three from A Life
Max Klinger
Etching on cream wove paper · 1884
Art Institute of Chicago

Downfall, plate twelve from A Life
Max Klinger
Etching and drypoint on ivory wove paper · 1884
Art Institute of Chicago

Dreams (Träume) (plate 3) for the portfolio A Life, Opus VIII (Ein Leben, Opus VIII)
Max Klinger
Etching and aquatint · 1884
Museum of Modern Art

Going Under Going Under (rejected plate) for the supplementary suite accompanying the portfolio A Life, Opus VIII
Max Klinger
Etching and aquatint · 1884
Museum of Modern Art

Finis, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI)
Max Klinger
etching and aquatint · 1884
Cleveland Museum of Art