Database / Artworks
Artworks
Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General
Theodoor van Thulden
canvas, oil paint (paint) · 1661
Rijksmuseum
Antwerp Blessed with Abundance
Theodoor van Thulden
red chalk and brush and black ink with brown and gray wash · 1648
National Gallery of Art
Compositional Sketch for The Request for Admission into the Union, a Painting in the Town Hall of 's-Hertogenbosch. The Province of Brabant requests the same status as the seven provinces of the Dutch Republic
Theodoor van Thulden
Pen and brown ink, brush and blue wash · 1645
The Metropolitan Museum of Art
Vierentwintig Romeinse munten met deviezen en emblemen van keizers
Theodoor van Thulden
engraving on paper · 1642
Rijksmuseum
Negentien Romeinse munten met deviezen en emblemen van keizers
Theodoor van Thulden
engraving on paper · 1642
Rijksmuseum
Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
The Return of Ulysses
Theodoor van Thulden
Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper · 1633
Art Institute of Chicago
Maria als Onze Lieve Vrouwe ter Hulpe en de verlossing van de gevangenen
Theodoor van Thulden
engraving on paper · 1632
Rijksmuseum
De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had
Theodoor van Thulden
pen on ink, paper · 1631
Rijksmuseum
Isaac and Rebecca at Well
Theodoor van Thulden
Pen and brown ink, with brush and brown wash and lead white (partly discolored), over red chalk, on cream laid paper, laid down on card · 1626
Art Institute of Chicago
The Marriage of Maximilian of Austria with Mary of Burgundy
Theodoor van Thulden
Etching on tan laid paper · 1626
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
The Adoration of the Magi
Theodoor van Thulden
Pen and black ink, brush and brown wash, over black chalk or graphite; double framing lines in pen and brown ink and brush and brown wash, probably by the artist · 1616
The Metropolitan Museum of Art
Gelijkenis van de verloren zoon
Theodoor van Thulden
etching on paper · 1616
Rijksmuseum