Database / Artworks
Artworks
Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant
Francesco Solimena
Oil on canvas · 1731
The Metropolitan Museum of Art
The Prophetess Deborah Ordering Barak to Take Arms against Sisera
Francesco Solimena
Brush and black ink, brush and gray wash, over black chalk (recto); small black chalk sketch of a nude male figure (verso) · 1728
The Metropolitan Museum of Art
Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago
Adam and Eve in Paradise
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Portrait of a Girl
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Jacopo Butera
Francesco Solimena
Oil on canvas · 1690
Art Institute of Chicago
Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples
Francesco Solimena
Pen and brown ink, gray, green, and rose washes over graphite · 1690
The Metropolitan Museum of Art
The Birth of the Virgin
Francesco Solimena
Oil on canvas · 1685
The Metropolitan Museum of Art
Pope Blessing Nun
Francesco Solimena
Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Christ Healing the Lame Man
Francesco Solimena
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Zittende vrouwenfiguur
Francesco Solimena
chalk, paper · 1667
Rijksmuseum
Fragment van een krijtschets
Francesco Solimena
chalk, paper · 1667
Rijksmuseum
Jupiter with his Eagle (recto)
Francesco Solimena
Pen, brown ink, gray wash over black chalk · 1657
The Metropolitan Museum of Art
Group of Allegorical figures: Sketch for a Ceiling Decoration ?
Francesco Solimena
Pen, brown ink, gray wash over black chalk · 1657
The Metropolitan Museum of Art
The Continence of Scipio
Francesco Solimena
Pen and brown ink, brush and gray wash, over black chalk · 1657
The Metropolitan Museum of Art
Massacre of the Innocents
Francesco Solimena
Pen and brown ink, over black chalk, on ivory laid paper, tipped onto ivory laid paper and green card · 1600
Art Institute of Chicago