Database / Artworks
Artworks

Agony in the Garden
Taddeo Zuccaro, Italian
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), on gray laid paper, laid down on ivory wove paper · 1598
Art Institute of Chicago

Standing Soldiers and Kneeling Figures
Taddeo Zuccaro, Italian
Pen and brown ink, with brush and brown wash, and red chalk, on ivory laid paper, laid down on ivory card · 1580
Art Institute of Chicago

Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads
Taddeo Zuccaro, Italian
Pen and brown ink, brown wash, black chalk on gray paper · 1566
Cooper Hewitt, Smithsonian Design Museum

Standing Prophet with a Book and Scroll
Taddeo Zuccaro, Italian
Pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk · 1562
Art Institute of Chicago
Un Hebreo, from Christ Shown to the People (recto)
Taddeo Zuccaro, Italian
Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk · 1556
Cleveland Museum of Art
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso)
Taddeo Zuccaro, Italian
Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk (recto); Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheet · 1556
Cleveland Museum of Art

Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family
Taddeo Zuccaro, Italian
Pen and brown ink, and brush and red chalk and brown wash, on ivory laid paper · 1556
Art Institute of Chicago

Three Figures Supporting a Man, Smaller Sketch of the Same, and Studies for the Blinding of Elymas
Taddeo Zuccaro, Italian
Pen and brown ink, and brush and red chalk and brown wash, with touches of red chalk, and black chalk, on ivory laid paper · 1556
Art Institute of Chicago
A Miracle of Saint Philip Benizzi: The Healing of a Demoniac Woman
Taddeo Zuccaro, Italian
brush and point of brush and red chalk wash, with red chalk; traces of framing lines in brown ink · 1552
Cleveland Museum of Art

Sketches of Two Winged Putti and an Urn
Taddeo Zuccaro, Italian
Black and white chalk on blue laid paper · 1550
Cooper Hewitt, Smithsonian Design Museum

Study for Male Allegorical Figure
Taddeo Zuccaro, Italian
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on cream laid paper prepared with light-brown wash · 1549
Art Institute of Chicago