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Artworks
To Your Good Health
Warrington Colescott
Watercolor on paper · 1986
Art Institute of Chicago
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
Warrington Colescott
Color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper · 1976
Art Institute of Chicago
Lasansky Reaches Iowa City, from The History of Printmaking
Warrington Colescott
Color lithograph on paper · 1976
Art Institute of Chicago
Portfolio box, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
Warrington Colescott
Clamshell box wrapped in linen with embossed cream wove paper addition · 1975
Art Institute of Chicago
Title Page, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
Warrington Colescott
Letterpress in brown on cream wove paper · 1975
Art Institute of Chicago
A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
Warrington Colescott
Color soft ground etching, with vibrograver, and viscosity inking on paper · 1975
Art Institute of Chicago
The First Thanksgiving
Warrington Colescott
Etching, aquatint, and drypoint · 1973
Museum of Modern Art
II: Butterflies Are May Winds (folio 8) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching and aquatint from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
III: From La Brea (folio 11) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching and photogravure with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
The Mariposa Suite Nos. I-VI
Warrington Colescott
Illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
V: Catalina View (folio 17) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
I: Mariposa Street (folio 5) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
IV: Cisco Kid (folio 14) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
Frontispiece (folio 2) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching and aquatint from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
VI: A Club in My Ribs (folio 20) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, photogravure, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
5. Home on the Range
Warrington Colescott
Lithograph on paper · 1968
Tate
6. Custard’s Last Stand
Warrington Colescott
Lithograph on paper · 1968
Tate
1. High Noon for Hoot Gibson
Warrington Colescott
Lithograph on paper · 1968
Tate
3. Dodge City
Warrington Colescott
Lithograph on paper · 1968
Tate
2. Wagon Train
Warrington Colescott
Lithograph on paper · 1968
Tate
4. Cowboys and Indians
Warrington Colescott
Lithograph on paper · 1968
Tate
Attack and Defense at Little Bohemia, from Dillinger
Warrington Colescott
Hard and soft ground etching, drypoint and open-bite etching, with a la poupee inking, and relief rolls through stencils, printed in color on white wove paper · 1966
Art Institute of Chicago
Breakout from the Indiana Pen, from Dillinger
Warrington Colescott
Color hard and soft ground etching, drypoint and aquatint, with vibrograver, and relief rolls through stencils on heavy white wove paper · 1966
Art Institute of Chicago
The Hideout
Warrington Colescott
Lithograph in warm black on ivory wove paper · 1966
Art Institute of Chicago