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Artworks

20 records by Agostino Carracci, Italian
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All
Love Conquers All
Agostino Carracci, Italian
Etching on ivory laid paper · 1599
Art Institute of Chicago
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Aeneas and His Family Fleeing Troy
Aeneas and His Family Fleeing Troy
Agostino Carracci, Italian
engraving · 1595
Cleveland Museum of Art
The Fan (L'Eventail)
The Fan (L'Eventail)
Agostino Carracci, Italian
etching · 1594
Cleveland Museum of Art
Portrait of the Artist's Son, Antonio Carracci
Portrait of the Artist's Son, Antonio Carracci
Agostino Carracci, Italian
Red chalk on cream laid paper, laid down on cream wove paper · 1592
Art Institute of Chicago
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg
Agostino Carracci, Italian
Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1590
Art Institute of Chicago
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci, Italian
Engraving · 1590
The Metropolitan Museum of Art
Mercury and the Graces
Mercury and the Graces
Agostino Carracci, Italian
Engraving with etching in black ink on ivory laid paper · 1589
Art Institute of Chicago
St. Francis Receiving the Stigmata
St. Francis Receiving the Stigmata
Agostino Carracci, Italian
engraving · 1586
Cleveland Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci, Italian
Engraving · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art
Rest on the Flight into Egypt
Rest on the Flight into Egypt
Agostino Carracci, Italian
Pen and brown ink, over traces of red chalk, on pieced cream laid paper (oval), laid down on cream card · 1585
Art Institute of Chicago
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
A Headpiece in the Form of a Fan
A Headpiece in the Form of a Fan
Agostino Carracci, Italian
Engraving on ivory laid paper · 1584
Art Institute of Chicago
Four Sketches: Standing Male Figure; Profile Bust of Bearded Man; Profile Head of Bearded Man; Landscape
Four Sketches: Standing Male Figure; Profile Bust of Bearded Man; Profile Head of Bearded Man; Landscape
Agostino Carracci, Italian
Pen and brown ink, with traces of brush and brown wash, over black chalk, on ivory laid paper, pieced together and laid down on ivory laid paper · 1577
Art Institute of Chicago
Studies of Nudes and Human Heads (recto and on the verso)
Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci, Italian
Pen and brown ink over traces of graphite · 1557
The Metropolitan Museum of Art
Study of Heads (recto)
Study of Heads (recto)
Agostino Carracci, Italian
pen and brown ink; framing lines in brown ink · 1550
Cleveland Museum of Art
Crenelated Fortress (verso)
Crenelated Fortress (verso)
Agostino Carracci, Italian
pen and brown ink · 1550
Cleveland Museum of Art
Study of Heads (recto); Crenelated Fortress (verso)
Study of Heads (recto); Crenelated Fortress (verso)
Agostino Carracci, Italian
pen and brown ink; framing lines in brown ink · 1550
Cleveland Museum of Art