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Artworks

203 records by George Cruikshank
Title Page from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Title Page from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Letterpress in red and black on cream wove paper, folded · 1880
Art Institute of Chicago
Trade Card for Samuel P. Avery--Fine Art Room
Trade Card for Samuel P. Avery--Fine Art Room
George Cruikshank
Etching · 1873
The Metropolitan Museum of Art
The Leader of the Parisian Blood Red Republic
The Leader of the Parisian Blood Red Republic
George Cruikshank
Etching on ivory laid paper · 1871
Art Institute of Chicago
Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings
Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings
George Cruikshank
etching in black on wove paper · 1868
National Gallery of Art
Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings
Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings
George Cruikshank
watercolor and graphite on wove paper · 1867
National Gallery of Art
"Taking the Air" in Hyde Park [verso]
"Taking the Air" in Hyde Park [verso]
George Cruikshank
pen and brown ink with brown wash over graphite on wove paper · 1865
National Gallery of Art
"Crinolina" - and the Consequences [recto]
"Crinolina" - and the Consequences [recto]
George Cruikshank
pen and black ink with watercolor and scratching-out (around the ghosts' eyes on the right) on wove paper · 1865
National Gallery of Art
Mother Shipton (recto); Sheet of Sketches: Fleur-de-Lis and Figures (verso)
Mother Shipton (recto); Sheet of Sketches: Fleur-de-Lis and Figures (verso)
George Cruikshank
Graphite and watercolor wash (recto), and graphite with brush and gray wash (verso), on cream laid paper · 1864
Art Institute of Chicago
The Drinking Customs of Society or Worship of Bacchus
The Drinking Customs of Society or Worship of Bacchus
George Cruikshank
steel engraving · 1864
Cleveland Museum of Art
The Worship of Bacchus
The Worship of Bacchus
George Cruikshank
Oil paint on canvas · 1860
Tate
"Taking Care of Number One" or A Gentleman Endeavoring to Keep "Number One" Out of "St Pauls Church Yard" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
"Taking Care of Number One" or A Gentleman Endeavoring to Keep "Number One" Out of "St Pauls Church Yard" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1853
Art Institute of Chicago
Scarcity of Domestic Services, or Every Family Their Own Cooks!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Scarcity of Domestic Services, or Every Family Their Own Cooks!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1853
Art Institute of Chicago
"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1853
Art Institute of Chicago
The Peace Society, or a New "Field of Action" for the Military - in "The Good Time Coming" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
The Peace Society, or a New "Field of Action" for the Military - in "The Good Time Coming" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
Advice "To Those About to Marry" - Buy Cheap Furniture from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Advice "To Those About to Marry" - Buy Cheap Furniture from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
Letter: Stop Thief
Letter: Stop Thief
George Cruikshank
Signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper · 1851
Art Institute of Chicago
Modern Ballooning, or the Newest Phase of Folly from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
Modern Ballooning, or the Newest Phase of Folly from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
Alarming Sacrifice from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Alarming Sacrifice from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
Probable Effects of Over Female Emigration, or Importing the Fair Sex from the Savage Islands in Consequence of Exporting All Our Own to Australia!!!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Probable Effects of Over Female Emigration, or Importing the Fair Sex from the Savage Islands in Consequence of Exporting All Our Own to Australia!!!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
Some of the Drolleries of the Great Exhibition
Some of the Drolleries of the Great Exhibition
George Cruikshank
Etching · 1851
The Metropolitan Museum of Art
Looking for Lodgings
Looking for Lodgings
George Cruikshank
Etching · 1851
The Metropolitan Museum of Art
Odds & Ends, in, out & about, the Great Exhibition of 1851
Odds & Ends, in, out & about, the Great Exhibition of 1851
George Cruikshank
Etching · 1851
The Metropolitan Museum of Art
What It Must Come To, At Last, if the Ladies Go On Blowing Themselves Out as They Do! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
What It Must Come To, At Last, if the Ladies Go On Blowing Themselves Out as They Do! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1850
Art Institute of Chicago
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