
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
<p>This work is part of Mounira Al Solh’s drawing and embroidery series <em>I strongly believe in our right to be frivolous</em> (2011–17), which Al Solh started in 2011, shortlyafter the civil uprising in Syria and the subsequent civil war. The project documents deeply personal encounters an conversations between the artist and Syrian refugees as well as other Middle Easterners who were forcibly displaced, fleeing to Lebanon, Europe, the United States, and other parts of the world.<p> <p>Embroideries in this series combine stories people shared with Al Solh about leaving home or finding a new home in a different country. This work’s title references the experience of a hairdresser. Al Solh invited a network of skilled and novice female weavers in Lebanon to help produce this work. Some of these women fled the war in Syria; others are Palestinian refugees who have been living in camps since the 1970s.<p>
Catalogue
- Year
- 2017
- Dimensions
- 88 × 94 cm (34 × 37 in.)
- Collection
- Art Institute of Chicago
- Artist
- Mounira Al Solh
Artist

Installation
Mounira Al Solh constructs immersive installations from found materials, textual fragments, and oral histories to examine displacement, memory, and the archive of conflict. Her work resists linear narrative, operating across intimate and monumental scales to engage the residual traces of violence in domestic and public spaces. By incorporating video and sound, she treats installation as a mode of collective witnessing rather than individual expression, using the archive as a site of shared trauma and recollection.
Full artist profile →More
More by Mounira Al Solh
Belated Revolutions
2022 · Oil on canvas
from the series I Strongly Believe in Our Right to Be Frivolous
2012 · Watercolor, ink, and collage on commercial legal paper
from the series I Strongly Believe in Our Right to Be Frivolous
2012 · Watercolor, ink, and collage on commercial legal paper
from the series I Strongly Believe in Our Right to Be Frivolous
2012 · Watercolor, ink, and collage on commercial legal paper
from the series I Strongly Believe in Our Right to Be Frivolous
2012 · Watercolor, ink, and collage on commercial legal paper
from the series I Strongly Believe in Our Right to Be Frivolous
2012 · Watercolor, ink, and collage on commercial legal paper
Record
Verified by WattsOS- Artist
- Mounira Al Solh
- Year
- 2017
- Dimensions
- 88 × 94 cm (34 × 37 in.)
- Watts ID
- WW-2017-138480
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





