
<p>Architect and designer Greg Lynn’s flatware for Alessi is a brilliant reinterpretation of the figurative tradition in tableware design. With its sinuous lines, the flatware formally reflects Lynn’s ongoing interest in Art Nouveau and the late-19th-century designs of architect and designer Victor Horta. Beginning with the premise that all flatware is designed from the spoon, Lynn conceived of the cutlery as a kind of genetic system made up of stem, leaf, and flower, and capable of endless variations. Lynn produced the flatware using a three-dimensional digital-printing method and layers of liquid metal. The result is that each piece is figuratively articulated and differentiated from the others with subtle mutations, as the basin and tines of the fork blend in surprising combinations.</p> <p>Greg Lynn’s prototype flatware is a brilliant reinterpretation of the figurative tradition found in the design of tableware. Produced with a three-dimensional digital printing method that employs liquid metal, each piece was created by layering liquid forms on top of one another. The cutlery was conceived as a system of stem, leaf, and flower that forms a single setting. Formally, the flatware reflects Lynn’s ongoing interest in Art Nouveau and the craft-laden designs of the architect Victor Horta. Each piece is figuratively articulated and differentiated from the others to reflect its inherent function. Collectively, the flatware presents itself as a selection of unique flowers.</p>
Catalogue
- Year
- 2007
- Medium
- Sterling silver
- Dimensions
- Variable dimensions
- Collection
- Art Institute of Chicago
- Artist
- Greg Lynn
Artist

Painting
Greg Lynn is an American architect and digital designer known for parametric and computational design methods that generate complex curved forms and adaptive geometries. Working primarily in architecture and product design, he employs algorithmic processes and advanced modeling software to create structures that respond to environmental and material constraints. His practice bridges digital theory and physical fabrication, producing built work and conceptual projects that demonstrate how computation can inform organic, flowing architectural language.
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More by Greg Lynn
Carbon Net Chair
2010 · 3Di Aramid Tape
Ravioli Chair
2005 · Fiberglass-reinforced polyester shell and polyurethane foam seat with upholstery fabric
Supple Cups
2005 · Bone china
Ravioli Chair
2005 · Fiberglass-reinforced plastic, polyurethane foam with integrated cushioning and knitted fabric
Stranded Sears Tower: Model
1992 · Black EVA High Density Foam, acrylic latex paint, and maple wood base
Stranded Sears Tower, Chicago, Illinois, Plan Drawing 1
1992 · Graphite and ink on mylar
Record
Verified by WattsOS- Artist
- Greg Lynn
- Year
- 2007
- Medium
- Sterling silver
- Dimensions
- Variable dimensions
- Watts ID
- WW-2007-110839
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





