Pillow II (after Dürer)

Pillow II (after Dürer)

Vik MunizWW-1999-116306
1999·Gelatin silver print·Image: 47.9 × 58 cm (18 7/8 × 22 7/8 in.); Paper: 50.6 × 60.8 cm (19 15/16 × 23 15/16 in.)

<p>To create Pillow II, Vik Muniz arranged nails to create the shape of a pillow, which he then photographed. He based his composition on an etching by Albrecht Dürer (1417–1528), a German Renaissance artist known for his close observation skills and his ability to render details. Muniz chose to use nails to “draw” the pillow to visualize what he calls “identity conflicts.” Here, the hard nails are made to appear as two things they are not: the etched lines of Dürer and the soft folds of a feather pillow.</p>

Catalogue

Year
1999
Dimensions
Image: 47.9 × 58 cm (18 7/8 × 22 7/8 in.); Paper: 50.6 × 60.8 cm (19 15/16 × 23 15/16 in.)
Artist
Vik Muniz

Artist

Vik Muniz
Vik Muniz

Photography

Best known for his witty, unexpected recreations of canonical art historical and pop culture imagery, Vik Muniz creates intricately layered photographic works that explore the nature of visual cognition and the transcendent area between perception and reality. From a peanut butter and jelly Double Mona Lisa (indebted, of course, to Andy Warhol’s treatment of da Vinci’s original masterwork) to a Bosco chocolate syrup rendering of one of Hans Namuth’s photographs of Jackson Pollack, Muniz uses unconventional materials to heighten effect. His signature process – using mixed media and found materials to create large-scale renderings that are discarded after being photographed – again alludes to the constructed nature of memory and perception.

Brooklyn, NY, USA; Rio de Janeiro, Brazil

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Record

Verified by WattsOS
Artist
Vik Muniz
Year
1999
Dimensions
Image: 47.9 × 58 cm (18 7/8 × 22 7/8 in.); Paper: 50.6 × 60.8 cm (19 15/16 × 23 15/16 in.)
Watts ID
WW-1999-116306

Source

Source
aic
Status
verified

Artist

Vik Muniz

Vik Muniz

Photography

View artist profile →