Untitled (America e Cristo)

Rosângela Rennó is a Brazilian artist working primarily with photography, archives, and found materials to interrogate memory, identity, and the documentary impulse. Her practice often involves the appropriation and recontextualization of photographs from public and private collections, transforming vernacular images into installations that foreground absence, loss, and the gaps between representation and lived experience. Since the 1980s, she has developed a conceptual approach that treats the photograph not as evidence but as a site of interpretation and collective meaning-making.

Belo Horizonte, Brazil