Das ewig Weibliche (The Eternal Feminine)

Das ewig Weibliche (The Eternal Feminine)

Philip CornerWW-1995-M092080
1995·Felt-tip pen and pencil on paper·sheet: 8 × 10 15/16" (20.3 × 27.8 cm)

Catalogue

Year
1995
Dimensions
sheet: 8 × 10 15/16" (20.3 × 27.8 cm)

Artist

Philip Corner
Philip Corner

Philip Corner is an American composer and visual artist born in 1933 who emerged from the postwar experimental music milieu. Working across sound, text, and performance, Corner developed a practice rooted in indeterminacy and collaborative process, influenced by John Cage's approach to chance operations. His compositions and conceptual works challenge conventional distinctions between music, visual art, and participatory event.

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1987 · Screenprint

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Shiva turns back into Brahma (Notes forPiano ActivitiesandQuiet Work of Destruction)

Shiva turns back into Brahma (Notes forPiano ActivitiesandQuiet Work of Destruction)

1970 · Typewriting, ballpoint pen, and pencil on two sheets of paper with paper savers

WW-1970-M094204
Carrot Chew Performance

Carrot Chew Performance

1964 · Ink and pencil on four sheets of paper

WW-1964-M090200
Persimmon (Love Duet)

Persimmon (Love Duet)

1964 · Ink, colored pencil, felt-tip pen, pencil, and correction fluid on paper

WW-1964-M090202
Friendly Low B Flat for Ruth Emerson

Friendly Low B Flat for Ruth Emerson

1964 · Ink with cut-and-pasted paper on paper

WW-1964-M090201
Quiet Work of Destruction

Quiet Work of Destruction

1963 · Felt-tip pen and correction fluid on fabric

WW-1963-M090198

Record

Verified by WattsOS
Year
1995
Dimensions
sheet: 8 × 10 15/16" (20.3 × 27.8 cm)
Watts ID
WW-1995-M092080

Source

Source
moma
Status
verified

Artist

Philip Corner

Philip Corner

View artist profile →