Betty Ford Clinic (Betty Ford Klinik)

Betty Ford Clinic (Betty Ford Klinik)

Martin KippenbergerWW-1985-049005
1985·Oil and lacquer on canvas·179.8 × 299.8 cm (70 3/4 × 118 in.)

<p><em>Betty Ford Clinic</em> depicts a rehabilitation center that opened in Rancho Mirage, California, in 1982, just a few years before Martin Kippenberger produced the painting. The center was well-known for its celebrity patients, but the artist rendered it as a bleak and generic structure, basing the work on a black-and-white photograph from a newspaper clipping. The low-profile building could be any number of facilities: a prison, a museum, or a school. By only identifying the subject in the title, Kippenberger opened up the image to various interpretations based on the complex cultural, political, and social meanings of this kind of institution, among others. <p>This is one of thirty-five works that comprise the Winterbotham Collection. <a href="https://www.artic.edu/the-winterbotham-collection">Click here to learn more about the collection.</a></p>

Catalogue

Year
1985
Dimensions
179.8 × 299.8 cm (70 3/4 × 118 in.)

Artist

Martin Kippenberger
Martin Kippenberger

Sculpture

Considered one of the most influential artists of his generation, Martin Kippenberger produced an astonishingly varied and prolific oeuvre in his short lifetime. While his practice encompassed a wide range of styles and media, his penchant for appropriation, parody and use of everyday objects is most closely associated with the Neo-Dada and Neo-Pop Art movements. Known as much for his hard-drinking lifestyle as for his irreverent artistic output, Kippenberger garnered a reputation as an enfant terrible of the German art scene. Kippenberger’s leveraging of his debauched public persona prefigures the Young British Artists (YBAs), including Sarah Lucas, Damien Hirst, Tracey Emin and Gavin Turk. American artists like Jeff Koons, Julian Schnabel and John Baldessari have also cited his influence.

Vienna, Austria

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More

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No Drawing No Cry,

No Drawing No Cry,

2000 · Artist's book, lithograph printed

WW-2000-M113511
Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 2),

Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 2),

1997 · Catalogue, lithograph printed

WW-1997-M113507
The Eggman and his Outriggers

The Eggman and his Outriggers

1997 · Lithograph on paper

WW-1997-216574
Kippenberger sans peine | Kippenberger leicht gemacht,

Kippenberger sans peine | Kippenberger leicht gemacht,

1997 · Catalogue, lithograph printed

WW-1997-M113504
Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 1),

Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 1),

1997 · Catalogue, lithograph printed

WW-1997-M113506
Der Eiermann und seine Ausleger,

Der Eiermann und seine Ausleger,

1997 · Catalogue, lithograph printed

WW-1997-M113505

Record

Verified by WattsOS
Year
1985
Dimensions
179.8 × 299.8 cm (70 3/4 × 118 in.)
Watts ID
WW-1985-049005

Source

Source
aic
Status
verified

Artist

Martin Kippenberger

Martin Kippenberger

Sculpture

View artist profile →