
Betty Ford Clinic (Betty Ford Klinik)
<p><em>Betty Ford Clinic</em> depicts a rehabilitation center that opened in Rancho Mirage, California, in 1982, just a few years before Martin Kippenberger produced the painting. The center was well-known for its celebrity patients, but the artist rendered it as a bleak and generic structure, basing the work on a black-and-white photograph from a newspaper clipping. The low-profile building could be any number of facilities: a prison, a museum, or a school. By only identifying the subject in the title, Kippenberger opened up the image to various interpretations based on the complex cultural, political, and social meanings of this kind of institution, among others. <p>This is one of thirty-five works that comprise the Winterbotham Collection. <a href="https://www.artic.edu/the-winterbotham-collection">Click here to learn more about the collection.</a></p>
Catalogue
- Year
- 1985
- Dimensions
- 179.8 × 299.8 cm (70 3/4 × 118 in.)
- Collection
- Art Institute of Chicago
- Artist
- Martin Kippenberger
Artist

Sculpture
Considered one of the most influential artists of his generation, Martin Kippenberger produced an astonishingly varied and prolific oeuvre in his short lifetime. While his practice encompassed a wide range of styles and media, his penchant for appropriation, parody and use of everyday objects is most closely associated with the Neo-Dada and Neo-Pop Art movements. Known as much for his hard-drinking lifestyle as for his irreverent artistic output, Kippenberger garnered a reputation as an enfant terrible of the German art scene. Kippenberger’s leveraging of his debauched public persona prefigures the Young British Artists (YBAs), including Sarah Lucas, Damien Hirst, Tracey Emin and Gavin Turk. American artists like Jeff Koons, Julian Schnabel and John Baldessari have also cited his influence.
Full artist profile →More
More by Martin Kippenberger
No Drawing No Cry,
2000 · Artist's book, lithograph printed
Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 2),
1997 · Catalogue, lithograph printed
The Eggman and his Outriggers
1997 · Lithograph on paper
Kippenberger sans peine | Kippenberger leicht gemacht,
1997 · Catalogue, lithograph printed
Martin Kippenberger, The Happy End of Franz Kafka's 'Amerika'. Théodore Géricault, Le Radeau de la Méduse (Version 1),
1997 · Catalogue, lithograph printed
Der Eiermann und seine Ausleger,
1997 · Catalogue, lithograph printed
Record
Verified by WattsOS- Artist
- Martin Kippenberger
- Year
- 1985
- Dimensions
- 179.8 × 299.8 cm (70 3/4 × 118 in.)
- Watts ID
- WW-1985-049005
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





