
Circus (Caribbean Orange)
<p>Trained as an architect, Gordon Matta-Clark gave spaces affected by blight or gentrification a second life as sculptures by cutting geometric voids into condemned buildings with a chainsaw. For <em>Circus (Caribbean Orange)</em>, commissioned by the Museum of Contemporary Art Chicago (MCA), Matta-Clark carved three spherical volumes (like a three-ring circus) from a three-story townhouse adjacent to the MCA’s former location, before the building was transformed into additional gallery space. Matta-Clark printed slides of the resulting space and then cut into the photographs to produce collages like this one. He explains that these photocollages “try and capture the ‘all around’ experience of the piece” and are “an approximation of this kind of ambulatory ‘getting to know’ what the space is about.”</p>
Catalogue
- Year
- 1978
- Dimensions
- Image/paper, approx: 57 × 170.8 cm (22 1/2 × 67 1/4 in.); Frame: 66.1 × 180.4 × 5.1 cm (26 × 71 × 2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Gordon Matta-Clark
Artist

Painting
Gordon Matta-Clark pioneered a radical approach to art that included large-scale architectural interventions in which he physically cut through buildings slated for demolition.
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More by Gordon Matta-Clark
Circus-The Caribbean Orange
1978 · Silver dye bleach print
Circus
1978 · Pencil, ink, staples, and correction fluid on three sheets of paper
Sous-sols de Paris (Paris Underground)
1977 · Super 8mm film transferred to video (black and white, sound)
The Wall
1976 · Video (color, sound)
Untitled (Cut Drawing)
1976 · Pencil on layers of cut paper
City Slivers
1976 · Super 8 film transferred to video (color, silent)
Record
Verified by WattsOS- Artist
- Gordon Matta-Clark
- Year
- 1978
- Dimensions
- Image/paper, approx: 57 × 170.8 cm (22 1/2 × 67 1/4 in.); Frame: 66.1 × 180.4 × 5.1 cm (26 × 71 × 2 in.)
- Watts ID
- WW-1978-109116
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





