Conjunction 74-26

Ha Chong-Hyun is a Korean painter whose monochromatic abstractions employ thick impasto and gestural brushwork to create densely layered compositions. Working since the 1960s, he has developed a rigorous practice rooted in the formal vocabulary of postwar abstraction while maintaining a distinctly Korean sensibility. His paintings, built up through repeated applications of paint and scraped surfaces, prioritize material physicality and the mark as autonomous gesture. The work resists both European gestural abstraction and American color field painting, instead establishing its own spatial logic through accumulated surface.

Seoul, South Korea