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Eduardo A. MacEntyre was an Argentine artist born in 1929 who worked primarily in painting and printmaking, developing a distinctive visual language rooted in geometric abstraction and optical phenomena. His practice emerged during the postwar period, when Buenos Aires was a center of avant-garde experimentation. MacEntyre's work engaged with color relationships, spatial illusion, and the mathematical properties of form, positioning him within the broader context of constructivist and kinetic movements that shaped mid-20th-century Latin American modernism.