French Cooking from Homage to Picasso (Hommage à Picasso)

Allen JonesWW-1973-M052337

1973·Screenprint and stencil from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts·composition: 23 11/16 x 31 3/8" (60.1 x 79.7cm); sheet: 23 5/8 x 31 3/8" (60 x 79.7cm)

Catalogue

Year: 1973
Medium: Screenprint and stencil from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Dimensions: composition: 23 11/16 x 31 3/8" (60.1 x 79.7cm); sheet: 23 5/8 x 31 3/8" (60 x 79.7cm)
Collection: Museum of Modern Art
Artist: Allen Jones

Artist

Allen Jones

Printmaking

Allen Jones is a British painter, sculptor, and lithographer best known for his pop art aesthetic, sexual imagery, and the controversy that both have brought him. A self-professed feminist, Jones contends with popular culture’s representations of women; his works reflect the constant corkscrew discussion surrounding Pop artists – and at times, surrealists – regarding whether the objectification of women in the fine arts should be construed as celebrating such objectification, or satirizing it.

Oxfordshire, UK

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