Ecstatic Tree (L'Arbre extatique) from Homage to Picasso (Hommage à Picasso)

Corneille (Guillaume van Beverloo)WW-1973-M052330

1973·Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts·composition: 26 1/16 x 19 3/4" (66.2 x 50.2cm); sheet: 26 x 19 3/4" (66 x 50.2cm)

Catalogue

Year: 1973
Medium: Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Dimensions: composition: 26 1/16 x 19 3/4" (66.2 x 50.2cm); sheet: 26 x 19 3/4" (66 x 50.2cm)
Collection: Museum of Modern Art
Artist: Corneille (Guillaume van Beverloo)

Artist

Corneille (Guillaume van Beverloo)

Painting

Corneille was a Dutch painter and sculptor working primarily in abstraction and figuration from the 1940s onward. He developed a lyrical, gestural approach to paint that incorporated organic forms and muted color palettes, often treating the canvas as a field of rhythmic marks and spatial intervals. His work emerged from the postwar European modernist context and maintained a consistent attention to the relationship between figure and ground, color and line, across both painting and three-dimensional form. This profile will be expanded as more verified source material becomes available.

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