Homochromy II from Reflections on and onto a Sheet of Paper (Chapter XVI, Number 84)

Rémy Zaugg was a Swiss conceptual artist and painter who examined the relationship between perception, language, and spatial experience. His practice combined text-based installations, paintings, and architectural interventions that questioned how viewers encounter and interpret artworks within gallery and public spaces. Working from the 1960s onward, Zaugg developed a distinctive method of embedding linguistic and perceptual inquiry directly into the material and display of his work. His investigations prefigured later institutional critique while maintaining a philosophical rigor about the conditions of seeing itself.

Courgenay, Switzerland