
S.M.S. #5 (Deluxe Edition)
<p>The Letter Edged in Black Press produced six issues of a journal called <em>SMS (Shit Must Stop) </em> from February to December 1968. Founded by artists William N. Copley and Dmitri Petrov, the journal was not bound like a traditional magazine but rather took the form of a folder containing individual contributions from more than 70 artists. Each issue of the journal featured items of varying media and formats, including prints, diminutive multimedia works, and sculptures produced in small editions. Employing the postal system as an alternative exhibition format, the series expresses the artists’ desire to share their ideas in novel, frugal, and accessible ways—a playful jab at the restrictive criteria of museums and “high art.”</p> <p>The Art Institute’s complete set is one of 100 copies of the deluxe version, in which nearly every contribution is signed by its creator. The issues feature pieces by well-known artists like Marcel Duchamp, Ray Johnson, On Kawara, Yoko Ono, Roy Lichtenstein, and Lil Picard, as well as a multitude of unusual, interactive objects including audio recordings, a booklet about bathrooms in art galleries, a folded hat, luggage stickers, a phenakistoscope with instructions for use, and poetry. An unreleased special seventh edition was in the works, with an intended contribution from Dorothy Iannone, now also part of the Art Institute of Chicago’s collection.</p> <p><em>SMS (Shit Must Stop) </em>, no. 5, 1968<br>Cover by Congo (a Chimpanzee)<br>William Anthony (American, b. 1934), <em>Custer’s Last Stand </em> (inside cover)<br>Wall Batterton (British, b. 1932), <em>Splendid Person </em><br>Edward Fitzgerald (American, born 1927), <em>Twenty-Four Still Lifes </em><br>Neil Jenney (American, b. 1945), <em>Bux [Bucks] American </em><br>Angus MacLise (American, 1938–1979), <em>The Inner Pages </em><br>Bruce Nauman (American, b. 1941), <em>Footsteps </em><br>Mel Ramos (American, b. 1935), <em>Candy </em><br>Robert Rohm (American, b. 1934), <em>Cut Corners </em><br>William Schwedler (American, 1942–1982), <em>Against the Grain </em><br>Diane Wakoski (American, b. 1937), <em>The Magellanic Clouds </em><br>Larry (Lawrence) Weiner (American, 1942–2021), <em>Turf, Stake and String </em><br>Yoko Ono (American, born Japan 1933), <em>Mend Pieces for John </em><br>William Copley (American, 1919–1996), <em>The Barber’s Shop: Reflections on Picasso's Gift to the People of Chicago </em></p>
Catalogue
- Year
- 1968
- Medium
- Mixed media
- Dimensions
- Installation dimensions variable
- Collection
- Art Institute of Chicago
- Artist
- William N. Copley
Artist

Painting
William N. Copley also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop art.
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More by William N. Copley
I'm sick of the taste of champagne, from "The Spell of the Yukon"
1994 · Black felt-tip pen over charcoal on white wove paper
Untitled (Westermann)
1979 · Black fiber-tipped pen over graphite on cream wove paper
Beau Geste
1973 · Acrylic on linen
Untitled (Think/Flag), from Artists and Writers Protest against the War in Vietnam
1967 · Screenprint in black, cream, and white on cream card
Place de l’Opéra
1956 · Oil paint on canvas
Record
Verified by WattsOS- Artist
- William N. Copley
- Year
- 1968
- Medium
- Mixed media
- Dimensions
- Installation dimensions variable
- Watts ID
- WW-1968-136694
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified




