Untitled (Terminal Series)

Larry BellWW-1968-133091

1968·Vacuum plated glass coated with silicon monoxide, with metal binding·50.8 × 50.8 × 50.8 cm (20 × 20 × 20 in.)

<p>Since the 1960s Larry Bell’s sculpture has relied on the rectangular forms associated with Minimalism. Yet it has also consistently drawn into question the solidity and rigidity of the sculptural object. Here, as in most of his work, an empty glass cube sits on a Plexiglas plinth: this box mirrors its surroundings while at the same time allowing the viewer to look directly into and through it, to the gallery beyond. For the glass of <em>Untitled (Terminal Series)</em>, Bell employed a vacuum-coating process, which adhered metallic layers to the panes of the cube in order to manipulate their potential to scatter and capture light. In 1968 the artist described his interest not simply in perceiving space but in creating it: “The space declared by these new sculptures becomes the work.”</p>

Catalogue

Year: 1968
Medium: Vacuum plated glass coated with silicon monoxide, with metal binding
Dimensions: 50.8 × 50.8 × 50.8 cm (20 × 20 × 20 in.)
Collection: Art Institute of Chicago
Artist: Larry Bell

Artist

Larry Bell

Sculpture

Larry Bell is an influential American artist associated who helped pioneer the Southern California-based Light and Space movement. Bell's innovative work is characterized by his exploration of light, reflection, and volume through minimal materials. Particularly known for his glass cube sculptures, these works manipulate light and space, creating immersive experiences for the viewer. Bell's interest lies in the interplay between the tangible and intangible, using materials like glass and mirrored coatings to produce his captivating installations. With a career spanning several decades, Bell's groundbreaking contributions have left an indelible mark on contemporary art.

Venice, CA, USA

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