Plate III from the portfolio Two Part Inventions

James McGarrell was an American painter whose figurative work merged abstraction with narrative content, creating densely layered compositions that interrogated the relationship between figuration and gesture. Active from the 1950s onward, he developed a distinctive approach that positioned figuration as a counterpoint to postwar abstraction's dominance. His paintings combined distorted human forms, architectural elements, and landscape with a gestural, often darkly inflected handling of paint. McGarrell's work maintained a steady engagement with the figure across decades when abstraction held institutional priority.