Uptown, Chicago

Uptown, Chicago

Danny LyonWW-1965-031643
1965·Gelatin silver print·Image/paper: 26 × 26 cm (10 1/4 × 10 1/4 in.); Mount: 56 × 46 cm (22 1/16 × 18 1/8 in.)

<p>In the summer of 1965, having graduated two years earlier from the University of Chicago, <a href="http://www.artic.edu/artists/15789/danny-lyon">Danny Lyon</a> traveled on his Triumph motorcycle from his home in Hyde Park to Chicago’s tough Uptown neighborhood. The area had acquired the nickname Hillbilly Heaven for its large number of immigrants from central Appalachia. Over a period of several months, Lyon photographed residents of Uptown’s Clifton Avenue using a Rolleiflex camera borrowed from his close friend and mentor Hugh Edwards, then a photography curator at the Art Institute of Chicago.</p> <p>Lyon gained the trust of several families, resulting in images that depict struggles but also immense community pride: “paradise inside a square,” as the photographer said, referencing the camera’s square format. In 1966 Lyon wrote of the project, “The pictures are not made to disturb people’s consciences but rather to disturb their consciousness. The pictures do not ask you to ‘help’ these people, but something much more difficult; to be briefly and intensely aware of their existence, an existence as real and significant as your own.”</p>

Catalogue

Year
1965
Dimensions
Image/paper: 26 × 26 cm (10 1/4 × 10 1/4 in.); Mount: 56 × 46 cm (22 1/16 × 18 1/8 in.)

Artist

Danny Lyon
Danny Lyon

Photography

Danny Lyon considers himself a photojournalist, and his work, a brand of advocacy journalism; Lyon devotes his career to documenting the demonstrations of social activism in which he has immersed himself. A self-taught photographer, Lyon was first introduced to the medium as a staff photographer for the Student Nonviolent Coordinating Committee, photographing civil rights demonstrations against segregation in the American South. His other subjects have included the Chicago Outlaw Motorcycle Club (of which he was part for two years), the Texas prison system, the Occupy movement, and the redevelopment of Lower Manhattan. His work was perhaps most strongly influenced by the 1941 publication Let Us Now Praise Famous Men, featuring text by James Agee and photographs by Walker Evans.

Brooklyn, NY, USA

Full artist profile →

More

More by Danny Lyon

View all →
"Good By from Friends"

"Good By from Friends"

1985 · Gelatin silver print

WW-1985-031518
IRT 2, South Bronx, New York City

IRT 2, South Bronx, New York City

1979 · Gelatin silver print, No. 30 from the portfolio "Danny Lyon" (1979)

WW-1979-031561
IRT 2, South Bronx, New York City

IRT 2, South Bronx, New York City

1979 · Gelatin silver print

WW-1979-M046098
IRT 2, South Bronx, New York City

IRT 2, South Bronx, New York City

1979 · Gelatin silver print, No. 29 from the portfolio "Danny Lyon" (1979)

WW-1979-031563
IRT 2, South Bronx, New York City

IRT 2, South Bronx, New York City

1979 · Gelatin silver print

WW-1979-M046096
Bus Stop, Tehauntepec, Oaxaca

Bus Stop, Tehauntepec, Oaxaca

1978 · Gelatin silver print, No. 28 from the portfolio "Danny Lyon" (1979)

WW-1978-031564

Record

Verified by WattsOS
Year
1965
Dimensions
Image/paper: 26 × 26 cm (10 1/4 × 10 1/4 in.); Mount: 56 × 46 cm (22 1/16 × 18 1/8 in.)
Watts ID
WW-1965-031643

Source

Source
aic
Status
verified

Artist

Danny Lyon

Danny Lyon

Photography

View artist profile →