
Greyed Rainbow
<p>In the late 1940s Jackson Pollock developed a revolutionary form of Abstract Expressionism by dripping, pouring, and splashing paint onto large-scale canvases. Pollock emphasized the expressive power of the artist’s gestures, materials, and tools, often applying paint with sticks, trowels, and palette knives instead of brushes. He also challenged the concept of easel painting by working on canvases placed either on the floor or fixed to a wall. With no apparent beginning or end, top or bottom, his paintings imply an extension of his art beyond the edges of the canvas, engulfing the viewer. Among the last great purely abstract paintings Pollock made before his untimely death in 1956, <em>Greyed Rainbow</em> is a quintessential example of action painting. The paint application ranges from thick chunks squeezed directly from a tube to thin, meandering lines poured from a container with a small hole or squirted from a baster. The work is predominantly black, white, gray, and silver; in the bottom third of the canvas, however, Pollock thinly concealed orange, yellow, green, blue, and violet. The title of the work presumably refers to these grayed sections of hidden color.</p>
Catalogue
- Year
- 1953
- Medium
- Oil on linen
- Dimensions
- Unframed: 182.9 × 244.2 cm (72 1/16 × 96 3/16 in.); 182.9 × 244.2 cm (72 × 96 1/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Jackson Pollock
Artist

Painting
Jackson Pollock was a titan of Abstract Expressionism and one of the most famous American artists of the 20th century. He pioneered an acrobatic process which produced large-scale, gestural, all-over drip paintings, or “action paintings.” Before developing his iconic style, Pollock worked for the WPA Federal Art Project and studied under artists such as David Alfaro Siqueiros, who influenced Pollock’s signature experiments with paint and material. During his lifetime, Pollock exhibited widely in New York and beyond. Since his untimely death in 1956, his work has been shown at institutions including the Museum of Modern Art, Centre Pompidou, Guggenheim Museum, San Francisco Museum of Modern Art, and Kunstmuseum Basel, and his paintings have sold for tens of millions of dollars on the secondary market. His work belongs in esteemed collections worldwide.
Full artist profile →More
More by Jackson Pollock
White Light
1954 · Oil, enamel, and aluminum paint on canvas
Untitled
1953 · Ink and colored ink on paper (recto); Oil and gouache on paper (verso)
Easter and the Totem
1953 · Oil on canvas
Echo: Number 25, 1951
1951 · Enamel paint on canvas
Exhibition Announcement, Betty Parsons Gallery, Nov. 26-Dec. 15, 1951
1951 · Screenprint
Untitled from an untitled portfolio
1951 · One from a portfolio of six screenprints
Record
Verified by WattsOS- Artist
- Jackson Pollock
- Year
- 1953
- Medium
- Oil on linen
- Dimensions
- Unframed: 182.9 × 244.2 cm (72 1/16 × 96 3/16 in.); 182.9 × 244.2 cm (72 × 96 1/8 in.)
- Watts ID
- WW-1953-028775
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





