
La chevelure (The Hair)
<p>Inspired by Nusch Eluard, fellow artist Paul Eluard’s wife and muse, this book by Hugnet and Tanguy was a gift to artist Marcel Duchamp, romantic partner to Mary Reynolds. The collaged cover, unusual paper, and italicized serif font give the book a precious, hand-made aesthetic that heightens the dreamy adoration of the poem printed within.</p> <p>Georges Hugnet’s poem <em> La chevelure </em>is printed on deep, blood red paper, and wrapped in a reflective gold paper cover anchored by a collage by Yves Tanguy. A pair of women’s hands caressing jewelry emerge from a torn fragment of black paper bearing the book’s title written in gold ink. Tanguy produced a unique collage for each of 15 artist copies of this edition, designated by 15 letters of the alphabet. The Art Institute holds copy “D,” which is signed by both Hugnet and Tanguy and dedicated to artist Marcel Duchamp, praising him as “fluorescent.”</p> <p>The many social connections intertwined in this one little book embody the collaborative community of Surrealists, which included many talented artists and writers. One hundred copies were printed all together.</p>
Catalogue
- Year
- 1937
- Dimensions
- 21.2 × 16.5 cm (8 3/8 × 6 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Yves Tanguy
Artist

Painting
Yves Tanguy was an American painter of French origin known for densely populated biomorphic landscapes rendered in oil, often depicting impossible terrains of undulating forms and spectral voids. His work, created between the 1920s and his death in 1955, occupied a singular space within Surrealism, eschewing the movement's reliance on recognizable dreamscapes in favor of purely invented anatomies and geologies. His compositions employ a narrow, luminous palette to render architectural organisms that seem to breathe and shift across barren horizons. Though associated with the Surrealist circle, his painting method was deliberate and architectural rather than automatic, building forms through precise layering and spatial recession.
Full artist profile →More
More by Yves Tanguy
Tailpiece from Un Poème dans chaque livre
1956 · Etching from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph
Surrealist Composition with Smoking Container
1955 · Graphite, with smudging, on cream laid paper
Multiplication of the Arcs
1954 · Oil on canvas
Two Mechanical Figures
1954 · Pen and black ink, with white gouache, on cream wove paper
Untitled
1953 · Ink on paper
Thar
1952 · Gouache on gray wove paper
Record
Verified by WattsOS- Artist
- Yves Tanguy
- Year
- 1937
- Dimensions
- 21.2 × 16.5 cm (8 3/8 × 6 1/2 in.)
- Watts ID
- WW-1937-126150
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





