Study for Aspects of Negro Life: The Negro in an African Setting

Study for Aspects of Negro Life: The Negro in an African Setting

Aaron DouglasWW-1934-139384
1934·Gouache, with touches of graphite, on illustration board·37.2 × 40.6 cm (14 11/16 × 16 in.)

<p>Aaron Douglas made this finished study for the first of five murals intended for the Schomburg Center for Research in Black Culture at the 135th Street branch of the New York Public Library. The murals depict the history of African Americans, from their origins in Africa to life in America in the 1930s. Blending Egyptian figures in profile and West African masks with cubism and art deco, Douglas utilized a hybrid Western-African aesthetic that became a hallmark of the Harlem Renaissance.</p>

Catalogue

Year
1934
Dimensions
37.2 × 40.6 cm (14 11/16 × 16 in.)

Artist

Aaron Douglas
Aaron Douglas

Drawing

Aaron Douglas is an American artist recognized as a central figure of the Harlem Renaissance. Working primarily in painting and mural-making, he developed a distinctive graphic vocabulary of silhouetted figures, concentric circles, and muted, layered color planes drawn from African sculptural traditions and Art Deco geometry. His murals for the Schomburg Center for Research in Black Culture in Harlem remain among his most significant public works.

Topeka, United States

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Study for the book God's Trombones by James Weldon Johnson

Study for the book God's Trombones by James Weldon Johnson

1926 · Tempera and pencil on board

WW-1926-M108623

Record

Verified by WattsOS
Year
1934
Dimensions
37.2 × 40.6 cm (14 11/16 × 16 in.)
Watts ID
WW-1934-139384

Source

Source
aic
Status
verified

Artist

Aaron Douglas

Aaron Douglas

Drawing

View artist profile →