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Wanda Wulz was an Italian photographer and filmmaker active from the 1920s through the postwar period. She pioneered experimental photomontage and self-portraiture, merging her own face with animal forms and architectural elements to create surrealist-inflected images that interrogated identity and perception. Working in both still photography and film, Wulz developed a distinctive visual language that combined darkroom manipulation with conceptual rigor. Her work anticipated later developments in photographic collage and remains significant to the history of early twentieth-century European avant-garde practice.