
Untitled, from the series "Sur la Route: Huit Photographies Prises Entre Paris et Marseille ou Entre Paris et Biarritz"
<p>Germaine Krull was one of the preeminent press photographers in Paris between 1928 and 1937, publishing more than a dozen books and serving as one of <em>Vu</em> magazine’s most consistent contributors. Among her many publications were travel guides, which capitalized on her interest in photographic narrative and the rolling landscape of the road. She acquired her first car in 1929 and after that was rarely found in the city. Entranced by the freedom, speed, and mechanical form of the car, Krull would often lean out of the vehicle with her handheld camera and shoot spontaneous (sometimes blurred) photographs of the French countryside as she sped by. These pictures were likely made during a trip for either the travel book <em>La Route: Paris et Biarritz</em> (Krull’s publisher did the driving on this trip) or <em>La Route de Paris à la Mediterranée</em>, to which André Kertész also contributed photographs.</p>
Catalogue
- Year
- 1930
- Medium
- Gelatin silver print
- Dimensions
- Image/paper: 13.9 × 21.1 cm (5 1/2 × 8 5/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Germaine Krull
Artist

Photography
Germaine Luise Krull was a photographer, political activist, and hotel owner. Her nationality has been categorized as German, French, and Dutch, but she spent years in Brazil, Republic of the Congo, Thailand, and India. Described as "an especially outspoken example" of a group of early 20th-century female photographers who "could lead lives free from convention", she is best known for photographically illustrated books such as her 1928 portfolio Métal.
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Record
Verified by WattsOS- Artist
- Germaine Krull
- Year
- 1930
- Medium
- Gelatin silver print
- Dimensions
- Image/paper: 13.9 × 21.1 cm (5 1/2 × 8 5/16 in.)
- Watts ID
- WW-1930-133676
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





