At the Masters' Houses

Gertrud Arndt was a German photographer and weaver whose practice bridged the Bauhaus curriculum of the 1920s and postwar experimental abstraction. Working primarily in black-and-white photography and textile design, she created geometric compositions that dissolved figuration into pattern and light. Her self-portraits, often masked or fragmented, treated the human face as a formal problem rather than a vehicle for expression. Arndt's work remained largely undocumented until late in her life, when her archive revealed a rigorous, decades-long engagement with modernist abstraction across two distinct media.

Darmstadt