
Industry
<p>This maquette is the only surviving version of a seven-by-twelve foot photographic mural created by Charles Sheeler for an exhibition on mural art at New York’s Museum of Modern Art. Murals, promoted in the Americas and Europe in the 1930s, created a vast new space of display for painters and photographers, who, like Sheeler, freely crossed media boundaries to make the giant compositions. The multiple source photographs in this maquette, all taken by Sheeler, depict the Ford Motor Company’s plant in River Rouge, near Detroit, where the artist traveled in 1927 as part of a commission to make publicity pictures for the company. The left and right sections of the triptych are halves of a single photograph, while the central portion represents a montage of three other pictures taken at the plant. The bold leaps in scale and subject are what made murals of the 1930s—both painted and photographic—impressive in their dynamism.</p>
Catalogue
- Year
- 1927
- Dimensions
- Image/paper a: 20 × 7 cm (7 7/8 × 2 13/16 in.); Image/paper b: 20.1 × 16.2 cm (7 15/16 × 6 7/16 in.); Image/paper c: 20 × 7 cm (7 7/8 × 2 13/16 in.); Overall: 19.9 × 38.1 cm (7 7/8 × 15 in.); Mount: 35.6 × 46 cm (14 1/16 × 18 1/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Charles Sheeler
Artist

Painting
A leading figure of the Precisionist movement of the 1920s – 30s, Charles Sheeler is known for his crisply-articulated interpretations of the modernizing American landscape, from the urban monoliths of the New York City skyline to the sprawling factories of the industrial Midwest. In his carefully balanced compositions, Sheeler explored aesthetic and conceptual tension, chiefly between abstraction and representation; objectivity and subjectivity; painting and photography; and the past and present. Sheeler employed a novel process for creating paintings based on his photographs, once observing: “Photography records inalterably the single image, while painting records a plurality of images willfully directed by the artist.” The process-driven dialogue between media and object endures as one of Sheeler’s greatest contributions to American modernism.
Full artist profile →More
More by Charles Sheeler
Sun, Rocks, Trees #2
1959 · Gouache with graphite, on cream laminate board
Western Industrial
1955 · Oil on canvas
Architectural Cadences
1954 · Color screenprint on cream wove paper
Meta-Mold, Cedarburg, Wisconsin
1952 · Gelatin silver print
Beech Tree
1951 · Gelatin silver print
Shaker House, Lebanon, New York
1951 · Gelatin silver print
Record
Verified by WattsOS- Artist
- Charles Sheeler
- Year
- 1927
- Dimensions
- Image/paper a: 20 × 7 cm (7 7/8 × 2 13/16 in.); Image/paper b: 20.1 × 16.2 cm (7 15/16 × 6 7/16 in.); Image/paper c: 20 × 7 cm (7 7/8 × 2 13/16 in.); Overall: 19.9 × 38.1 cm (7 7/8 × 15 in.); Mount: 35.6 × 46 cm (14 1/16 × 18 1/8 in.)
- Watts ID
- WW-1927-106332
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





